"歌ミサの式次第(201)「ことばの典礼」 信仰宣言(251)" by 高田三郎, 豊中混声合唱団, 木島美紗子 had its release date on 2001. With This song being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 日本合唱曲全集/高田 三郎 作品集5 セレクション, so we believe that "歌ミサの式次第(201)「ことばの典礼」 信仰宣言(251)" is a single. 歌ミサの式次第(201)「ことばの典礼」 信仰宣言(251) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 歌ミサの式次第(201)「ことばの典礼」 信仰宣言(251) by 高田三郎, 豊中混声合唱団, 木島美紗子 is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stabat Mater, FP 148: 3. O quam tristis | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | F♯ Major | 0 | 2B | 111 BPM | ||
| We Will Cross The Valley | Irma Martha, Jessie Andrew | G Major | 1 | 9B | 136 BPM | ||
| L'Orfeo, SV 318, Act III: Sinfonia – Possente spirto | Claudio Monteverdi, Rolando Villazón, L'Arpeggiata, Christina Pluhar | F Minor | 3 | 4A | 110 BPM | ||
| Dawn | Eric William Barnum, Choral Arts, Robert Bode | F Major | 0 | 7B | 84 BPM | ||
| Sicut cervus | Giovanni Pierluigi da Palestrina, Choir of St. Ignatius Loyola, Kent Tritle | A♭ Major | 1 | 4B | 79 BPM | ||
| Petite messe solennelle: XVII. O salutaris | Gioachino Rossini, Krassimira Stoyanova, Philip Mayers, Philip Moll, Ryoko Morooka, Marcus Creed | G Major | 0 | 9B | 103 BPM | ||
| 2 Partsongs, Op. 26: No. 1, The Snow | Edward Elgar, Bavarian Radio Chorus, Radoslaw Szulc, Julita Smoleń, Max Hanft, Howard Arman | E Minor | 1 | 9A | 81 BPM | ||
| Panginoon, Kaawaan Mo Kami | Alejandro D. Consolacion II, Sto. Niño de Malolos Festival Chorus, Pifferari, Lawrence Jatayna, Franz Ramirez | A Major | 3 | 11B | 79 BPM | ||
| Jerusalem: And did those feet in ancient time (Jerusalem) | Hubert Parry, Choir of St George's Chapel, Windsor Castle, Marlowe Brass Ensemble, Timothy Byram-Wigfield | D Major | 2 | 10B | 96 BPM | ||
| Cherubic Hymn: No. 7, — | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | G Minor | 0 | 6A | 144 BPM | ||
| Songs of the Fleet, Op. 117: II. The Song of the Sou'Wester | Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of Wales | C Major | 2 | 8B | 89 BPM | ||
| The Armed Man (Ensemble Version): X. Agnus Dei | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera | C Major | 0 | 8B | 67 BPM | ||
| God So Loved the World | John Stainer, Choir of St. John's College, Cambridge, Andrew Nethsingha | D Major | 1 | 10B | 81 BPM | ||
| Locus iste, WAB 23 | Anton Bruckner, St. Bride's Church Choir, Fleet Street, Robert Jones | C Major | 0 | 8B | 78 BPM | ||
| The Dream of Gerontius, Op. 38, Part I: No. 5, Be merciful, be gracious' spare him, Lord (Assistants) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, London Philharmonic Choir, Hallé Choir | D Major | 2 | 10B | 86 BPM | ||
| 女声合唱組曲 遥かな歩み 1.機織る星 | 高田三郎, 嚶鳴女声合唱団, 永野美佐子 | G Minor | 0 | 6A | 163 BPM | ||
| The Dream of Gerontius, Op. 38, Part I: No. 11, Go, in the name of Angels and Archangels (Assistants) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, James Platt, London Philharmonic Choir, Hallé Choir | D Major | 2 | 10B | 86 BPM | ||
| The Blue Bird | Charles Villiers Stanford, Cantorum Chamber Choir, Melissa Heath, Steve Durtschi | F♯ Major | 1 | 2B | 124 BPM | ||
| Dia P'liharakan Burung | Amadeus Symphony Orchestra, STFT Jakarta Choir | C Major | 2 | 8B | 118 BPM | ||
| Messiah, HWV 56: Rejoice Greatly | George Frideric Handel, Kathleen Battle, Robert Sadin, Anthony Newman, Erica Kiesewetter, Richard Rood, Curtis Macomber, Timothy Baker, Eric Wyrick, Julie Rosenfeld, Anna Rabinova, Robin Bushman, Joel Pitchon, Sharon H. Yamada, Donald Palma, Andre Emelian | B♭ Major | 1 | 6B | 118 BPM | ||
| I Colori della Gioia | Jan van der Roost, Anneke Luyten, Casco Phil | D Major | 2 | 10B | 68 BPM | ||
| Petite messe solennelle: XIV. Credo. Et vitam venturi sæculi | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
| Karena Dia Hidup | Amadeus Symphony Orchestra, Gereja Kristen Pasundan Jakarta-Banten Choir | B♭ Major | 3 | 6B | 107 BPM | ||
| Tippett: Five Negro Spirituals (from A Child of Our Time) - Steal Away | The Chapel Choir of Pembroke College, Cambridge | G Major | 1 | 9B | 59 BPM | ||
| Petite messe solennelle: VI. Gloria. Gratias | Gioachino Rossini, Giulio Prandi, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti | A Minor | 0 | 8A | 144 BPM |