On May 31, 1985, the song "Ansoo Bhari Hain Parvarish" was released by Sunil Ganguly. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Traditional's "Mood Instrumental Old Film Hits" album is number 1 out of 7. On top of that, India appears to be the country where this track was created. In terms of popularity, Ansoo Bhari Hain Parvarish is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Ansoo Bhari Hain Parvarish by Sunil Ganguly to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Raahi Matwale | Talat Mahmood, Suraiya | A♭ Major | 3 | 4B | 75 BPM | ||
| Beshak Mandir Masjid Todo | Narendra Chanchal, Laxmikant–Pyarelal | A Major | 4 | 11B | 83 BPM | ||
| Brishti Pade Tapur Tupar | Suresh Wadkar, Hemlata | G Major | 6 | 9B | 156 BPM | ||
| Tum Apna Ranjhogham Apni | Jagjit Kaur | F Minor | 3 | 4A | 79 BPM | ||
| Samay O Dhire Chalo - Female Version, 1 | Bhupen Hazarika, Lata Mangeshkar | G Minor | 5 | 6A | 87 BPM | ||
| Aye Dil E Beqraar Jhoom | K. L. Saigal | B♭ Major | 3 | 6B | 153 BPM | ||
| Phir Kahin Koi Phool Khila (From 'Phir Subah Hogi') | Manna Dey | E♭ Major | 7 | 5B | 71 BPM | ||
| Yaad Koi Aa Raha Hai | Salma Agha | G Major | 4 | 9B | 133 BPM | ||
| Kabhie Kisi Ko Muqammal Jahan - Ahista Ahista / Soundtrack Version | Bhupinder Singh | A Major | 3 | 11B | 98 BPM | ||
| Karun Kya Aas Nirash Bhai | K. L. Saigal | A Major | 1 | 11B | 81 BPM | ||
| Zindagi Mere Ghar Aana | Bhupinder Singh, Anuradha Paudwal | D Major | 3 | 10B | 139 BPM | ||
| Tum Bin Jeevan | Manna Dey, Asrani | D Major | 4 | 10B | 148 BPM | ||
| Aapki Yaad Aati Rahi Raat Bhar | Chhaya Ganguli | F Minor | 3 | 4A | 133 BPM | ||
| Kaise Kategi Zindagi Tere Bagair | Madan Mohan, Mohammed Rafi, Raja Mehdi Ali Khan | C Major | 4 | 8B | 130 BPM | ||
| Title Music - Khamoshi | Hemant Kumar | C Major | 3 | 8B | 93 BPM | ||
| Bade Achhe Lagte Hain | Amit Kumar | F♯ Major | 2 | 2B | 140 BPM | ||
| Aa Ja Sanwariya | Hira Devi Mishra | A♭ Major | 3 | 4B | 141 BPM | ||
| Har Pal Meri Ankhon Mein | Salma Agha, Mehdi Hassan | G Minor | 7 | 6A | 83 BPM | ||
| Ankhiyan Milake - Zohrabai Ambalawali | Zohrabai Ambalawali | C Major | 4 | 8B | 114 BPM | ||
| Garjat Barsat Sawan Aayo Re | Suman Kalyanpur, Kamal Barot, Sahir Ludhianvi | C Major | 5 | 8B | 99 BPM | ||
| Akele Hain Chale Aao | Mohammed Rafi, Kalyanji-Anandji | F♯ Minor | 4 | 11A | 143 BPM | ||
| Rahi Tu Ruk Mat Jana | Hemant Kumar | F♯ Minor | 4 | 11A | 51 BPM | ||
| Afsana Likh Rahi Hoon | Uma Devi | E♭ Major | 3 | 5B | 79 BPM | ||
| Main Shair To Nahin | Shailendra Singh, Laxmikant–Pyarelal | E Minor | 5 | 9A | 144 BPM | ||
| Yaad Na Jaye Beete Dinon Ki | Mohammed Rafi | E♭ Minor | 4 | 2A | 127 BPM |