Conway Twitty, Loretta Lynn's ' "After The Fire Is Gone - Single Version" was released on its scheduled release date, January 1, 2000. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. After The Fire Is Gone - Single Version's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 20th Century Masters: The Millennium Collection: Best Of Conway Twitty & Loretta Lynn, so we believe that "After The Fire Is Gone - Single Version" is a single. In terms of popularity, After The Fire Is Gone - Single Version is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of After The Fire Is Gone - Single Version by Conway Twitty, Loretta Lynn is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Only One You | T.G. Sheppard | E Minor | 6 | 9A | 95 BPM | ||
| I'll Leave This World Loving You | Ricky Van Shelton | F Major | 3 | 7B | 87 BPM | ||
| Forty Hour Week (For a Livin') | Alabama | E Major | 3 | 12B | 85 BPM | ||
| I Tell It Like It Used To Be | T. Graham Brown | D Major | 6 | 10B | 89 BPM | ||
| Roses for Mama | Red Sovine | A♭ Major | 5 | 4B | 97 BPM | ||
| Paper Rosie | Gene Watson | A♭ Major | 6 | 4B | 110 BPM | ||
| Goin' Through The Big D | Mark Chesnutt | B♭ Major | 9 | 6B | 174 BPM | ||
| Don't Tell Mama | Gary Allan | F Major | 5 | 7B | 95 BPM | ||
| Old Violin | Daryle Singletary | F♯ Major | 6 | 2B | 80 BPM | ||
| All My Ex's Live In Texas | George Strait | A Major | 3 | 11B | 131 BPM | ||
| Meet In the Middle | Diamond Rio | E Major | 4 | 12B | 91 BPM | ||
| Leaving Louisiana In The Broad Daylight | The Oak Ridge Boys | F Major | 6 | 7B | 96 BPM | ||
| Pickin' up Strangers | Johnny Lee | D Minor | 3 | 7A | 135 BPM | ||
| Old Flames Have New Names | Mark Chesnutt | E Major | 7 | 12B | 104 BPM | ||
| Thinkin' Problem | David Ball | C Major | 6 | 8B | 110 BPM | ||
| Uneasy Rider '88 | The Charlie Daniels Band | C Major | 6 | 8B | 107 BPM | ||
| To See My Angel Cry | Conway Twitty | C Major | 4 | 8B | 92 BPM | ||
| Should I Come Home (Or Should I Go Crazy) | Gene Watson | A♭ Major | 6 | 4B | 110 BPM | ||
| Rub It In | Billy 'Crash' Craddock | G Major | 5 | 9B | 116 BPM | ||
| It's Only Make Believe | Conway Twitty | B♭ Major | 5 | 6B | 115 BPM | ||
| I Call It Love | Mel McDaniel, Oklahoma Wind | F♯ Major | 4 | 2B | 79 BPM | ||
| Pocket of a Clown | Dwight Yoakam | A Major | 7 | 11B | 122 BPM | ||
| As Soon as I Hang up the Phone | Conway Twitty | A Major | 2 | 11B | 80 BPM | ||
| Stand By Me | Mickey Gilley | D♭ Major | 3 | 3B | 101 BPM | ||
| I'll Go To My Grave Loving You | The Statler Brothers | B♭ Major | 4 | 6B | 95 BPM |