Sam Watson's 'C.M.T.D.' had a release date set for January 28, 2016. C.M.T.D. is considered explicit and may contain foul language. This song is about 3 minutes and 18 seconds, which is about the average length of a typical song. There are a total of 10 in the song's album "Truth Overrated". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. C.M.T.D. is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With C.M.T.D. by Sam Watson having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pretty Lies | D Roth Munna | F♯ Minor | 5 | 11A | 95 BPM | ||
| Lullaby | Imin, Deejay Oden | D♭ Major | 5 | 3B | 74 BPM | ||
| It Don’t Make No Sense | Buku Gang | A Minor | 2 | 8A | 112 BPM | ||
| Too Good at Goodbye | farenait | A Minor | 3 | 8A | 204 BPM | ||
| NO SLEEP TONIGHT | TheVowDR | E Minor | 5 | 9A | 107 BPM | ||
| Choose Us (Every Single Week) | Pete Bailey | D♭ Minor | 5 | 12A | 78 BPM | ||
| Deep | Lily Massie, Byron Juane | F Major | 5 | 7B | 126 BPM | ||
| Stranger | Sam Watson | A Major | 4 | 11B | 85 BPM | ||
| Love is a Rhythm | Choclett P | A♭ Major | 2 | 4B | 180 BPM | ||
| A Way Out (feat. Real & TwoFace Gemini) | Sam Watson, Real, TwoFace Gemini | F Minor | 7 | 4A | 85 BPM | ||
| How You Make Me Feel | MALKALM | E Major | 6 | 12B | 145 BPM | ||
| Midnight Calls | Lone 5r | F Minor | 4 | 4A | 171 BPM | ||
| Enough | Sam Watson, Quadd21 | E Minor | 5 | 9A | 85 BPM | ||
| Dark Hole | Sam Watson | F♯ Major | 2 | 2B | 83 BPM | ||
| Distant | EMMVR | B♭ Minor | 4 | 3A | 112 BPM | ||
| Want You | Broadway Bundy | G Minor | 4 | 6A | 184 BPM | ||
| Where Do I Go (feat. Jonathan Wes & Sam Watson) | Allicat, Jonathan Wes, Sam Watson | F♯ Major | 4 | 2B | 108 BPM | ||
| Easy on me | Lone 5r | F♯ Major | 8 | 2B | 136 BPM | ||
| Shameful | Rahana, Maur Kii | F♯ Major | 5 | 2B | 152 BPM | ||
| Too Good At Goodbyes | CitySon Kane | A Minor | 4 | 8A | 78 BPM | ||
| Stay For Real | Cyber Soul Resonance City | G Major | 5 | 9B | 134 BPM | ||
| Us Ting | Asaka The Renegade, Sam Watson | F♯ Major | 4 | 2B | 150 BPM | ||
| Nike Tech | PLU$h | F Minor | 4 | 4A | 114 BPM | ||
| Fading Into Nothing | RAIIINR | F♯ Minor | 4 | 11A | 128 BPM | ||
| One Night Only | Nox Vellor | A♭ Minor | 6 | 1A | 98 BPM |