Native Harrow's 'An Ending, A Part' had a release date set for June 2, 2017. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. An Ending, A Part's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Sorores". In this album, this song's track order is #9. In terms of popularity, An Ending, A Part is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With An Ending, A Part by Native Harrow having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Red Sky Night | Chuck Prophet, Qiensave | D Major | 4 | 10B | 148 BPM | ||
| Sing To Me | Luther Dickinson, Amy Helm | B Major | 3 | 1B | 114 BPM | ||
| Isabella | Amy Papiransky | F Major | 6 | 7B | 172 BPM | ||
| Reason | Loretta Miller | D Major | 4 | 10B | 81 BPM | ||
| It's a Good Day to Be Alive | Chuck Prophet | E Major | 3 | 12B | 106 BPM | ||
| Low Again | Dubh Lee | A♭ Minor | 4 | 1A | 90 BPM | ||
| Privilege | Rachel Brashear | C Major | 3 | 8B | 128 BPM | ||
| B-Attitudes | Samantha Crain | F Major | 5 | 7B | 130 BPM | ||
| Colorblind | You Knew Me When | D♭ Minor | 4 | 12A | 112 BPM | ||
| Go On | The Cactus Blossoms | D Major | 4 | 10B | 147 BPM | ||
| Wickerman | Ruth Lyon | G Major | 7 | 9B | 131 BPM | ||
| The Future | Ted Lennon | D♭ Major | 4 | 3B | 142 BPM | ||
| Fill My Sky | The Parlophonics, Fernando Perdomo | G Major | 6 | 9B | 112 BPM | ||
| Weatherman | The Sweet Lillies | D♭ Major | 4 | 3B | 142 BPM | ||
| Lighter Than A Feather | Parker Brown | D♭ Major | 4 | 3B | 142 BPM | ||
| College Street | Suzie Ungerleider | C Major | 3 | 8B | 129 BPM | ||
| Cul-de-sac | Neve | D♭ Minor | 5 | 12A | 122 BPM | ||
| Gone | Native Harrow | G Major | 2 | 9B | 123 BPM | ||
| Child of Violence | Humbird | C Major | 3 | 8B | 168 BPM | ||
| I Don't Want To Know | The John Martyn Project | F Minor | 5 | 4A | 109 BPM | ||
| Table Mountain Tremolo (South Africa) | Velvet Rae | D♭ Major | 4 | 3B | 142 BPM | ||
| Spring Time Killer Line | Rachel Sermanni | B Major | 5 | 1B | 132 BPM | ||
| Shake Sugaree - Mahogany Session | Muireann Bradley, Mahogany | A Major | 3 | 11B | 78 BPM | ||
| The Chance | Thea Gilmore | C Minor | 2 | 5A | 176 BPM | ||
| Get Set | Saltydog | D♭ Major | 4 | 3B | 142 BPM |