Victor Herbert, Dave Loew, Jack Filmer's ' "Indian Summer" was released on its scheduled release date, July 8, 2023. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Indian Summer's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 4CRM Jazz Club, so we believe that "Indian Summer" is a single. Based on our statistics, Indian Summer's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Indian Summer by Victor Herbert, Dave Loew, Jack Filmer is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: II. Andante mosso, quasi allegretto (1915 Version) | Jean Sibelius, San Francisco Symphony, Esa-Pekka Salonen | G Major | 0 | 9B | 131 BPM | ||
| Coleridge-Taylor: The Bamboula, Op. 75 | Samuel Coleridge-Taylor, Kenneth Alwyn, Bournemouth Symphony Orchestra | G Major | 2 | 9B | 76 BPM | ||
| Masques et bergamasques Suite, Op. 112: I. Ouverture. Allegro molto vivo | Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot | F♯ Minor | 0 | 11A | 80 BPM | ||
| Serenade für Streicher, Op. 6: II. Allegro ma non troppo | Josef Suk, Jaroslav Krcek | F♯ Major | 1 | 2B | 81 BPM | ||
| Petite suite de concert, Op. 77: III. Un Sonnet d'Amour | Samuel Coleridge-Taylor, RTE Concert Orchestra, Adrian Leaper | A Major | 0 | 11B | 166 BPM | ||
| Suite pastorale: I. Idylle | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 0 | 7B | 105 BPM | ||
| V. Mazurka | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | F♯ Minor | 2 | 11A | 69 BPM | ||
| Chanson de nuit, Op.15 No.1 | Edward Elgar, Hallé, Sir Mark Elder | G Major | 0 | 9B | 80 BPM | ||
| Spartacus, Act I: Dance of a Greek Slaves (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Minor | 1 | 9A | 111 BPM | ||
| Cefeidas : 2. El Pensamiento crítico | Juan Pablo Fernández Ramos | B Major | 0 | 1B | 90 BPM | ||
| Cinderella, Op. 87: Act I: No. 1. Introduction: Andante dolce | Sergei Prokofiev, Gennady Rozhdestvensky, Moscow RTV Symphony Orchestra | D♭ Major | 1 | 3B | 114 BPM | ||
| Bellini: I puritani: Introduzione (Orchestra) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Delius / Arr. Fenby: Koanga, Act II: La Calinda | Frederick Delius, Sir John Barbirolli, Hallé | E Minor | 4 | 9A | 116 BPM | ||
| Lehár: Gold und Silber, Op. 79 | Franz Lehár, Wiener Philharmoniker, Rudolf Kempe | C Major | 2 | 8B | 175 BPM | ||
| Britten: Soirées musicales, Op. 9: IV. Bolero | Benjamin Britten, English Chamber Orchestra, Alexander Gibson | B Major | 0 | 1B | 90 BPM | ||
| Thunder And Lightning Polka | Johann Strauss II, Sidney Torch, Sidney Torch And His Orchestra | G Major | 6 | 9B | 86 BPM | ||
| Firebird Suite: Finale | Igor Stravinsky, George Szell, Cleveland Orchestra | D♭ Minor | 0 | 12A | 129 BPM | ||
| ホフマンの舟歌 (feat. フィルハーモニア管弦楽団) | Herbert von Karajan, フィルハーモニア管弦楽団 | G Major | 1 | 9B | 72 BPM | ||
| Gaite Parisienne (after J. Offenbach): 23. Barcarolle | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | D Major | 0 | 10B | 113 BPM | ||
| Carmen Fantasy, Op. 25 (Arr. for Marimba by Thibault Lepri): Introduction. Allegro moderato | Pablo de Sarasate, Adélaïde Ferrière, Orchestre Dijon Bourgogne, Joseph Bastian | B Major | 0 | 1B | 90 BPM | ||
| Offenbach: Les contes d'Hoffmann, Act 3: Barcarolle | Jacques Offenbach, Herbert von Karajan, Philharmonia Orchestra | D Major | 0 | 10B | 65 BPM | ||
| Cello Concerto No. 2 in E Minor, Op. 30: 1. Allegro impetuoso | Victor Herbert, Lynn Harrell, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 1 | 9A | 101 BPM | ||
| Raymonda, Act II: Grand pas Espagnol | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | E♭ Major | 3 | 5B | 95 BPM | ||
| Le Corsaire, Pas de deux: I. Adagio (Arr. J. Lanchberry) | Ludwig Minkus, Riccardo Drigo, Sofia National Opera Orchestra, Boris Spassov | A♭ Major | 1 | 4B | 76 BPM | ||
| Les Sylphides: 1. Prélude | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | G Major | 2 | 9B | 99 BPM |