Rie Asakura's 'さよなら、今日は' had a release date set for 1975. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. さよなら、今日は's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in ひとさし指, so we believe that "さよなら、今日は" is a single. In terms of popularity, さよなら、今日は is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of さよなら、今日は by Rie Asakura is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 噂 | 中島みゆき | D Major | 4 | 10B | 140 BPM | ||
| チャペルに続く白い道 | 西郷輝彦 | D Minor | 3 | 7A | 113 BPM | ||
| メトロ | Yuki Kadokura | C Minor | 6 | 5A | 122 BPM | ||
| 終着駅 | Yuki Kadokura | C Minor | 3 | 5A | 88 BPM | ||
| ラヴ・イズ・オーヴァー | Yasuko Naito | C Major | 3 | 8B | 70 BPM | ||
| 愛にぬれたギター | Yuko Nagisa | G Minor | 2 | 6A | 92 BPM | ||
| ブルーナイト・イン札幌 | Shinichiro Hakozaki | G Minor | 4 | 6A | 87 BPM | ||
| 悲しき翼 | Kami Fusen | A Major | 5 | 11B | 164 BPM | ||
| 花ぬすびと | 村上幸子 | C Major | 5 | 8B | 90 BPM | ||
| さよならをするために | Masaaki Sakai | E Major | 2 | 12B | 119 BPM | ||
| 柿の実色した水曜日 | ふきのとう | E Minor | 2 | 9A | 119 BPM | ||
| 旭川ブルース | ロス・プリモス | A Minor | 5 | 8A | 101 BPM | ||
| Shirakaba Nikki | Masako Mori | A Minor | 7 | 8A | 205 BPM | ||
| Hitorigoto | Nana Okada | D Minor | 5 | 7A | 94 BPM | ||
| ぬけがら | Iruka | D♭ Minor | 2 | 12A | 155 BPM | ||
| ひとり神戸 | Shinichiro Hakozaki | B♭ Minor | 4 | 3A | 89 BPM | ||
| 女こころ雨 | アローナイツ(木下あきら) | D Minor | 6 | 7A | 123 BPM | ||
| 未青年 | Alice | C Major | 4 | 8B | 130 BPM | ||
| 赤い靴 | Da Capo | A Minor | 2 | 8A | 91 BPM | ||
| 居酒屋の箸袋 | あさみちゆき | G Major | 3 | 9B | 128 BPM | ||
| 残像 - 2016 Remaster | Grape | C Major | 6 | 8B | 79 BPM | ||
| 雨の夜想曲 | チェウニ | D Minor | 6 | 7A | 110 BPM | ||
| ここに幸あり - 60周年バージョン | Yoshiko Ootsu | F Major | 5 | 7B | 80 BPM | ||
| 影法師 | ふきのとう | E♭ Minor | 4 | 2A | 110 BPM | ||
| 砂に消えた涙 | Megumi Asaoka | A♭ Major | 8 | 4B | 136 BPM |