Ryan Lott, Third Coast Percussion's ' "Part VI" was released on its scheduled release date, June 5, 2020. With This song being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 9 in the song's album "Quartered". In this album, this song's track order is #6. In terms of popularity, Part VI is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Part VI by Ryan Lott, Third Coast Percussion having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 5/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Binaries | Jo Blankenburg | D♭ Major | 1 | 3B | 120 BPM | ||
| Al Principio Cuando Te Vi | Melody 56 | B Major | 2 | 1B | 120 BPM | ||
| Circle 26 - Tom Ashbrook Rework | Robot Koch, Foam and Sand, Tom Ashbrook | E Major | 2 | 12B | 121 BPM | ||
| The Brothers Dance | Bobby Krlic | D Major | 1 | 10B | 80 BPM | ||
| Color Me Gray | Keen Collective | C Minor | 3 | 5A | 110 BPM | ||
| One Way | Paul Sabin | D♭ Major | 1 | 3B | 120 BPM | ||
| Opening Vox | Stephen Rennicks | E♭ Major | 2 | 5B | 88 BPM | ||
| Bubbles Beat | Emile Mosseri | B Major | 2 | 1B | 75 BPM | ||
| Bending Glass | Ryan Lott | A Minor | 0 | 8A | 91 BPM | ||
| They Seem To Be Part Of Us | Alex Kozobolis | F♯ Minor | 1 | 11A | 104 BPM | ||
| Fray | Totem | G Major | 4 | 9B | 118 BPM | ||
| Launch | Daniel L.K. Caldwell | C Minor | 0 | 5A | 67 BPM | ||
| Night Moves | Arnaud Toulon | C Major | 1 | 8B | 64 BPM | ||
| Minimal | Yoraim | G Minor | 1 | 6A | 135 BPM | ||
| Five Minutes from Now | Daniel Hart | G Major | 2 | 9B | 159 BPM | ||
| Hunting | Alexis Grapsas, Philip Klein | D Major | 1 | 10B | 91 BPM | ||
| A Softer Blade | Ryan Lott | G Major | 3 | 9B | 80 BPM | ||
| The Doll You Don't Want | Sion Trefor | D♭ Major | 1 | 3B | 120 BPM | ||
| Broken Bond | Ryan Lott | B♭ Minor | 3 | 3A | 102 BPM | ||
| Mia Storm Pillar Suite | Nicolas Snyder | D Major | 2 | 10B | 170 BPM | ||
| The Key | Isabella Summers | C Major | 2 | 8B | 69 BPM | ||
| Father | Ryan Lott | A♭ Major | 1 | 4B | 81 BPM | ||
| uneven geography | Ryan Lott | B Minor | 8 | 10A | 130 BPM | ||
| Credits | Isabella Summers | C Major | 2 | 8B | 69 BPM | ||
| Illuminator | Andrew Keese | C Major | 1 | 8B | 64 BPM |