"Ruins - Fieldhead Remix" by Graveyard Tapes, Matthew Collings, Euan McMeeken, Fieldhead had its release date on August 14, 2015. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Graveyard Tapes's "I'm on Fire (White Rooms Remixes)" album is number 2 out of 8. In terms of popularity, Ruins - Fieldhead Remix is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Ruins - Fieldhead Remix by Graveyard Tapes, Matthew Collings, Euan McMeeken, Fieldhead to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| But You Know, F*ck It | Daniel Platzman | G Major | 1 | 9B | 79 BPM | ||
| An Ending | Peter Broderick | D Major | 0 | 10B | 85 BPM | ||
| Oeothfe | Redkattseven | A Minor | 0 | 8A | 69 BPM | ||
| Paz Mental | Lolo Portas | G Major | 4 | 9B | 92 BPM | ||
| The Arrest | Emily Wells | C Minor | 8 | 5A | 119 BPM | ||
| Warm Field | Kallia Vyn | A♭ Minor | 5 | 1A | 196 BPM | ||
| Crane 44 | Elephants in a High Tree | C Major | 0 | 8B | 133 BPM | ||
| Crane 45 | Elephants in a High Tree | C Major | 0 | 8B | 70 BPM | ||
| Hopes And Past Desires | Rafael Anton Irisarri, Danny Norbury | F♯ Minor | 3 | 11A | 89 BPM | ||
| Eine Chance | Dascha Dauenhauer | F♯ Major | 2 | 2B | 101 BPM | ||
| Dancing in the Dark Alone | ALE TRIP | B Major | 2 | 1B | 141 BPM | ||
| Gotas en el Lago | Relax Vibe | A♭ Major | 1 | 4B | 145 BPM | ||
| Sinkhole | Vernall | C Major | 2 | 8B | 170 BPM | ||
| Your Silence Is the Loudest Sound | Last Days | C Minor | 0 | 5A | 105 BPM | ||
| Gourou | CHLOE (Thévenin) | E Major | 5 | 12B | 103 BPM | ||
| Travesia de Corazon | Pulsonidos | F♯ Major | 1 | 2B | 71 BPM | ||
| Grietas En El Sol | dj Rosali | E Major | 5 | 12B | 103 BPM | ||
| Coming Down | Majke Voss | E Major | 5 | 12B | 103 BPM | ||
| The Making of Grief Point | Loscil | G Minor | 3 | 6A | 130 BPM | ||
| Threshing Fields | Jim Jarmusch, Lee Ranaldo, Marc Urselli, Balazs Pandi | C Major | 5 | 8B | 90 BPM | ||
| I Am Running a Marathon With Thousands of Other Highly Qualified People Who Are All Trying to Defeat Me | Chris Zabriskie | E♭ Major | 0 | 5B | 112 BPM | ||
| There Was This Fire Inside Me | From The Mouth of The Sun | G Major | 1 | 9B | 74 BPM | ||
| Fall to Let Go | Star Lullaby | B♭ Major | 5 | 6B | 72 BPM | ||
| Tiempo de Lluvia | DG Pulse | F♯ Major | 1 | 2B | 71 BPM | ||
| Sea to Sea | Kali Kush | B♭ Minor | 4 | 3A | 76 BPM |