"Concerto grosso in F, Op.6, No.12: 1. Preludio: Adagio" by Arcangelo Corelli, The English Concert, Trevor Pinnock had its release date on January 1, 1988. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Concerto grosso in F, Op.6, No.12: 1. Preludio: Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 31 out of 64 in Corelli: 12 Concerti Grossi Op.6 by Arcangelo Corelli, The English Concert, Trevor Pinnock. Concerto grosso in F, Op.6, No.12: 1. Preludio: Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto grosso in F, Op.6, No.12: 1. Preludio: Adagio by Arcangelo Corelli, The English Concert, Trevor Pinnock is Grave (very slow), since this song has a tempo of 37 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony in A Major, J-C 62: IIIa. Presto assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 1 | 1A | 93 BPM | ||
| Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
| Concerto in C Major, H.117, Op. 7: I. Francese Presto | Francesco Geminiani, Café Zimmermann | B Major | 3 | 1B | 112 BPM | ||
| Concerto in E Minor: II. Vivace | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 3 | 2A | 117 BPM | ||
| Dall'Abaco : Concerti a quattro da chiesa Op.2 [1712], Concerto No.1 in D minor : IV Allegro assai | Evaristo Felice Dall'Abaco, Concerto Köln | E Major | 3 | 12B | 117 BPM | ||
| Concerto a 5 in C Major, Op. 9, No. 9: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 107 BPM | ||
| Flute Sonata in E Minor, Op. 5, No. 8: II. Allemanda. Allegro | Arcangelo Corelli, Barthold Kuijken, Wieland Kuijken, Robert Kohnen | D Minor | 2 | 7A | 128 BPM | ||
| Concerti a cinque Op. 9 for oboe and strings, Concerto No. 2 in D minor: I. Allegro e non presto | Han De Vries, Bob van Asperen, Alma Musica Amsterdam | D♭ Minor | 2 | 12A | 82 BPM | ||
| Flute Concerto No. 2 in G Major: III. Allegro assai | Frederick the Great, Manfred Friedrich, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | D Minor | 1 | 7A | 168 BPM | ||
| Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
| Symphony in D Major, J-C 16: I. Alla breve | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM | ||
| Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement | Marin Marais, Mieneke van der Velden, Glen Wilson | E♭ Minor | 0 | 2A | 120 BPM | ||
| Concerto Grosso In C Minor, Op. 6, No. 3 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Anna Holbling, Quido Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 1 | 5A | 92 BPM | ||
| Concerto in G Minor - Oboe, Strings & B.C., Seibel 237: Allegro (2) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | C Major | 1 | 8B | 89 BPM | ||
| Quantz: Flute Concerto in G Major, QV5:174: I. Allegro assai | Johann Joachim Quantz, Emmanuel Pahud, Kammerakademie Potsdam, Trevor Pinnock | G Major | 2 | 9B | 116 BPM | ||
| Recorder Concerto in F Major: 2. Siciliano | Giuseppe Sammartini, Lucie Horsch, Academy of Ancient Music, Bojan Čičić | A♭ Minor | 1 | 1A | 105 BPM | ||
| Violin Sonata in E Minor, Op. 5 No. 8: III. Sarabanda. Largo | Arcangelo Corelli, Trio Corelli | E♭ Minor | 0 | 2A | 135 BPM | ||
| Concerto Grosso in E Minor, Op. 3, No. 3: I. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | E Minor | 2 | 9A | 102 BPM | ||
| In convertendo Dominus | Sébastien de Brossard, Ensemble Baroque De Limoges, Christophe Coin | A Major | 2 | 11B | 151 BPM | ||
| Violin Sonata in E Minor, Op.5 No. 8: II. Allemanda (Allegro) | Arcangelo Corelli, Enrico Onofri | F Major | 1 | 7B | 128 BPM | ||
| Concerto III Do minore RV 119: Allegro | Modo Antiquo, Federico Maria Sardelli | C Minor | 3 | 5A | 146 BPM | ||
| Concerto Grosso No. 3 in F Major: IV. Largo | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | D Minor | 1 | 7A | 168 BPM | ||
| Abdelazer, Z.570: Air - Jig - Hornpipe - Air | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 2 | 11A | 172 BPM | ||
| Allegro | Nicola Matteis, Gli Incogniti, Amandine Beyer | E♭ Minor | 3 | 2A | 131 BPM | ||
| Concerto 5 in A Minor, Op. 7: III. Allegro assai | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | B♭ Minor | 2 | 3A | 118 BPM |