藤澤健至's ' "蟷螂の戦闘形態" was released on its scheduled release date, April 1, 2022. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. 蟷螂の戦闘形態's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in 藤澤健至's "Hanma Baki ORIGINAL SOUNDTRACK" album is number 3 out of 16. On top of that, Japan appears to be the country where this track was created. Based on our statistics, 蟷螂の戦闘形態's popularity is below average in popularity right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of 蟷螂の戦闘形態 by 藤澤健至 to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 呪いの源 | Alisa Okehazama | C Major | 2 | 8B | 92 BPM | ||
| The End Begins | Gerard Marino | E Minor | 6 | 9A | 100 BPM | ||
| アリゾナ州立刑務所 | 藤澤健至 | C Minor | 2 | 5A | 129 BPM | ||
| 攻めの消力 | 藤澤健至 | A Major | 6 | 11B | 111 BPM | ||
| Footsteps of Doom | KOHTA YAMAMOTO | C Minor | 3 | 5A | 128 BPM | ||
| ME4THOOK | K1LLED | F♯ Minor | 8 | 11A | 160 BPM | ||
| Meathook (Doom Eternal) | Artificial Fear | D♭ Major | 8 | 3B | 163 BPM | ||
| Cybearpunk 2077 | The Last Bear Ender | D Major | 10 | 10B | 185 BPM | ||
| Blow Me Away (From "Halo 2") [Instrumental] | Jonathan Gilmer | B♭ Minor | 8 | 3A | 99 BPM | ||
| Ultraviolence | Robert Slump | G Major | 7 | 9B | 130 BPM | ||
| Buu Is Fighting | Bruce Faulconer | A Major | 7 | 11B | 163 BPM | ||
| 圧倒的攻撃力 | 藤澤健至 | D Minor | 5 | 7A | 120 BPM | ||
| ラグ村の守り | 藤澤健至 | G Major | 3 | 9B | 108 BPM | ||
| Metal Bat | Makoto Miyazaki | D Major | 3 | 10B | 140 BPM | ||
| FLEXXX | Diabolik Seth | D♭ Major | 8 | 3B | 160 BPM | ||
| Gohan's Anger Metal Cover | Kill Every Venue | D♭ Minor | 8 | 12A | 174 BPM | ||
| There Is Only War | Nima Fakhrara | G Major | 4 | 9B | 84 BPM | ||
| edge of chainsaw | Kensuke Ushio | D♭ Major | 8 | 3B | 89 BPM | ||
| Architects of the End - instrumental | Von Spriggan | F♯ Major | 9 | 2B | 200 BPM | ||
| Tekken: Bloodline Main Theme | Rei Kondoh | G Minor | 4 | 6A | 120 BPM | ||
| The Doom Hunter | JustJane | F Minor | 9 | 4A | 130 BPM | ||
| Hollowed Grimmjow (From 'Bleach TYBW') - Extended Version | D.Meletis | C Major | 8 | 8B | 140 BPM | ||
| Beerus Madness | Friedrich Habetler | B Major | 9 | 1B | 140 BPM | ||
| Until It Is Done | ShakzN | C Major | 0 | 8B | 110 BPM | ||
| Don't Stop | Zyrra Miller | A Minor | 0 | 8A | 87 BPM |