Louis XIV's 'Guilt by Association' had a release date set for 2008. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Guilt by Association's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Slick Dogs And Ponies". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Guilt by Association is below average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Guilt by Association by Louis XIV having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| They Come to Get Us | The Death Set | D Major | 10 | 10B | 130 BPM | ||
| Chauncey P vs All the Girls in London | The Dandy Warhols | G Major | 8 | 9B | 125 BPM | ||
| Come Off | The Viles | B Major | 9 | 1B | 125 BPM | ||
| Take It with a Kiss | The Pistolas | F Minor | 9 | 4A | 124 BPM | ||
| Louis (Reprise) | Louis XIV | A Major | 5 | 11B | 127 BPM | ||
| Tell Me What You See | The Von Bondies | D Major | 10 | 10B | 147 BPM | ||
| Suspicious Character | The Blood Arm | D Major | 9 | 10B | 103 BPM | ||
| Under Control | Good Shoes | A Minor | 8 | 8A | 145 BPM | ||
| Cubicle | Slothrust | A Major | 8 | 11B | 97 BPM | ||
| Borderline | Adam Freeland, Brody Dalle | D Major | 9 | 10B | 165 BPM | ||
| Bathroom Gurgle | Late of the Pier | B Minor | 8 | 10A | 177 BPM | ||
| Land of the Freak | King Khan and the Shrines | B Minor | 10 | 10A | 171 BPM | ||
| Evil Voices | The Faint | F Minor | 9 | 4A | 88 BPM | ||
| Mallrats (La La La) | The Orwells | B♭ Major | 9 | 6B | 165 BPM | ||
| Black Cat Heavy Metal | Dan Luke and the Raid | A Major | 7 | 11B | 133 BPM | ||
| Yo David Chase! You P.O.V. Shot Me In The Head | The Death Set, Diplo | B♭ Major | 9 | 6B | 100 BPM | ||
| The Hall of Mirrors | Louis XIV | G Major | 7 | 9B | 134 BPM | ||
| Respect the Hustle | SKATERS | F Minor | 9 | 4A | 141 BPM | ||
| Autoportrait | Demob Happy | G Major | 10 | 9B | 149 BPM | ||
| Synthesizer | Electric Six | E Minor | 7 | 9A | 115 BPM | ||
| Worked Up So Sexual | The Faint | D Major | 8 | 10B | 167 BPM | ||
| Death Is A Girl | Mini Mansions | C Minor | 8 | 5A | 184 BPM | ||
| So What | The Pack a.d. | C Minor | 9 | 5A | 142 BPM | ||
| Out of the Races and Onto the Tracks | The Rapture | A Major | 8 | 11B | 122 BPM | ||
| Pay No Mind | Hanni El Khatib | D Major | 7 | 10B | 104 BPM |