On January 30, 1981, the song "Jiske Liye Sabko Chhoda" was released by Mohammed Rafi, Sulakshana Pandit. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 5 in the song's album "Saajan Ki Saheli". In this album, this song's track order is #3. Furthermore, we believe that the track originated from India. In terms of popularity, Jiske Liye Sabko Chhoda is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Jiske Liye Sabko Chhoda by Mohammed Rafi, Sulakshana Pandit having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jai Bolo Be-Imaan Ki | Mukesh | F♯ Minor | 8 | 11A | 97 BPM | ||
| Waada Raha Sanam (From "Khiladi") | Abhijeet | C Major | 6 | 8B | 126 BPM | ||
| Aye Khuda Shukr Tera | Mahendra Kapoor, Bhupinder Singh | E Minor | 5 | 9A | 151 BPM | ||
| Ham To Chale Pardes | Mohammed Rafi, Laxmikant–Pyarelal | E♭ Minor | 4 | 2A | 132 BPM | ||
| Ae Mere Zohra Jabeen | Manna Dey | F♯ Minor | 5 | 11A | 80 BPM | ||
| Tere Sang Jeena Tere Sang Marna | Lata Mangeshkar, Mohammed Rafi, Laxmikant–Pyarelal | F Major | 7 | 7B | 96 BPM | ||
| Mere Saathi Jeevan Sathi | Laxmikant–Pyarelal, Lata Mangeshkar, Shabbir Kumar | A♭ Minor | 7 | 1A | 153 BPM | ||
| Bhari Duniya Mein | Mohammed Rafi | A Minor | 4 | 8A | 102 BPM | ||
| Hamse Ka Bhool Huyi | Anwar Hussain | A Major | 3 | 11B | 107 BPM | ||
| Oh Duniya Tu Yaad Rakhna | Mahendra Kapoor | D♭ Minor | 5 | 12A | 96 BPM | ||
| Jane Chaman Shola Badan | Sharda, Mohammed Rafi | D Minor | 6 | 7A | 105 BPM | ||
| Tere Pyar Ki Tamanna | Mahendra Kapoor | C Minor | 2 | 5A | 94 BPM | ||
| Yahoo Chahe Koi Mujhe Junglee Kahe | Mohammed Rafi | B♭ Major | 9 | 6B | 145 BPM | ||
| Hanste Hanste Kat Jaye Raaste (From "Khoon Bhari Maang") | Nitin Mukesh, Sadhana Sargam | G Minor | 5 | 6A | 105 BPM | ||
| Tu Chand Kai Punam Kaa - From "Aao Pyar Karen" | Aadesh Shrivastava | A Major | 9 | 11B | 138 BPM | ||
| Sohni Chenab De Kinare (Part II) - Sohni Mahiwal / Soundtrack Version | Anupama, Anwar | A♭ Major | 7 | 4B | 152 BPM | ||
| Tumse Milkar Na Jane (Male Version) | Shabbir Kumar | E♭ Major | 5 | 5B | 102 BPM | ||
| Kahin to Milengi | Abhijeet | F Major | 5 | 7B | 101 BPM | ||
| Yaad Teri Aayegi | Anu Malik, Shabbir Kumar | B Minor | 6 | 10A | 128 BPM | ||
| Raat Kal Tumhari Mujhe (With Jhankar Beats) | Vinod Rathod | G Minor | 9 | 6A | 117 BPM | ||
| Yeh Kaisi Ajab Dastan Ho Gayi | Suraiya | C Minor | 2 | 5A | 175 BPM | ||
| Kaat Ke Ungli | S. P. Balasubrahmanyam | G Minor | 3 | 6A | 66 BPM | ||
| Mana Ho Tum Behad Haseen | K. J. Yesudas | B Minor | 2 | 10A | 161 BPM | ||
| Tujhe Dekha Tujhe Chaha | Suman Kalyanpur, Mohammed Rafi, Hasrat Jaipuri | D Major | 5 | 10B | 142 BPM | ||
| Karz Chukana Hai | Nitin Mukesh | A♭ Minor | 8 | 1A | 129 BPM |