"Titan in Shivering Sand" by Inade had its release date on 2005. This song is about six minutes long, preciously at 5:56, making this song fairly long compared to other songs. The song is number 12 out of 14 in Colliding Dimensions 3/4 by Inade. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Titan in Shivering Sand is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Titan in Shivering Sand by Inade is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Elsewhere Sleep | Teahouse Radio | F♯ Minor | 2 | 11A | 68 BPM | ||
| A Bed of Ashes | Beyond the Ghost | E♭ Major | 2 | 5B | 78 BPM | ||
| Grandma Sings in Many Tongues | Cities Last Broadcast, Fractalyst | B♭ Minor | 0 | 3A | 63 BPM | ||
| Vorah | Treha Sektori | G Minor | 4 | 6A | 145 BPM | ||
| Kareh Neh Akereh Vanah | Treha Sektori | G Major | 2 | 9B | 91 BPM | ||
| Faltering | Cementation Anxiety | D♭ Major | 4 | 3B | 79 BPM | ||
| Myth Encoded | Inade | D Major | 8 | 10B | 171 BPM | ||
| The Waiting Room | Coltrin Compositions | C Major | 1 | 8B | 141 BPM | ||
| Psychosis | Aseptic Void | D♭ Major | 7 | 3B | 90 BPM | ||
| Sleep After Toyle, Port After Stormie Seas | Kammarheit | A♭ Major | 1 | 4B | 91 BPM | ||
| The Obscure Maestro Feeds on Repetition | Trap Your Mind, STUDER | A♭ Major | 2 | 4B | 103 BPM | ||
| Genius Loci, Pt. III | Inade | D♭ Minor | 2 | 12A | 125 BPM | ||
| Chalice of Eternity | Metatron Omega | E Minor | 2 | 9A | 127 BPM | ||
| In Brightness | Desiderii Marginis | B♭ Minor | 4 | 3A | 76 BPM | ||
| The Hermit | Enmarta | E Minor | 4 | 9A | 128 BPM | ||
| Y Gair | Lustmord | B Major | 1 | 1B | 134 BPM | ||
| That Which Lies Beyond | Sinke Dûs | B Minor | 2 | 10A | 90 BPM | ||
| Shadow | Sádon, Treha Sektori | F♯ Minor | 5 | 11A | 83 BPM | ||
| Midnight Sun | Parhelion | D♭ Major | 3 | 3B | 130 BPM | ||
| Night so Close to the Tongue | Apocryphos, Kammarheit, Atrium Carceri | A♭ Minor | 2 | 1A | 78 BPM | ||
| Those Who Slither | Cryo Chamber, Fractalyst | C Major | 3 | 8B | 110 BPM | ||
| The Cedar Forest | Dahlia's Tear | C Minor | 5 | 5A | 64 BPM | ||
| Lamentum Hominis | Monasterium Imperi | A♭ Minor | 1 | 1A | 86 BPM | ||
| Field of Ink | Flowers for Bodysnatchers | E Minor | 1 | 9A | 66 BPM | ||
| East Westwood | RK7 | G Minor | 2 | 6A | 124 BPM |