Jacques Ibert, Asya Fateyeva, Brandenburger Symphoniker, Michael Helmrath's 'Concertino da camera: IIa. Larghetto' had a release date set for January 1, 2016. The duration of This song is about 3 minutes long, at 3:17. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 15 out of 16 in Decruck, Albright, Michat & Ibert: Saxophone Sonatas & Concertos by Asya Fateyeva. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Concertino da camera: IIa. Larghetto's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concertino da camera: IIa. Larghetto by Jacques Ibert, Asya Fateyeva, Brandenburger Symphoniker, Michael Helmrath is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM | ||
| 4 Morceaux, Op. 56: No. 2, Romance | Anton Arensky, Dmitrii Khrychev, Olga Solovieva | G Major | 0 | 9B | 99 BPM | ||
| Don Juan, Wq. 52: No. 7, Gavotte (Arr. for Piano by Ignaz Friedman) | Christoph Willibald Gluck, Joseph Banowetz | E♭ Major | 0 | 5B | 74 BPM | ||
| 8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | ||
| Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
| Trio for Oboe, Bassoon and Piano, FP 43: II. Andante: Andante con moto | Francis Poulenc, Olivier Doise, Laurent Lefèvre, Alexandre Tharaud | A♭ Major | 0 | 4B | 70 BPM | ||
| Concertino da camera: IIb. Animato molto | Jacques Ibert, Asya Fateyeva, Brandenburger Symphoniker, Michael Helmrath | D♭ Minor | 3 | 12A | 126 BPM | ||
| Nocturnes, Op. 48: No. 2 in F Sharp Minor. Andantino (Version for Harp) | Frédéric Chopin, Magdalena Hoffmann | D♭ Major | 0 | 3B | 135 BPM | ||
| A Moorside Suite, H. 173: Nocturne | Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones | B Minor | 0 | 10A | 80 BPM | ||
| Clarinet Concerto: I. Allegro | Jean Françaix, Orchestra della Svizzera Italiana, Alain Lombard, Paolo Beltramini | A Major | 2 | 11B | 128 BPM | ||
| Petite suite en 15 images: Berceuse aux etoiles (Lullaby under the Stars) | Jacques Ibert, Hae Won Chang | C Major | 0 | 8B | 72 BPM | ||
| Impromptu | Jacques Ibert, Håkan Hardenberger, Roland Pöntinen | B♭ Minor | 1 | 3A | 71 BPM | ||
| Trois morceaux pour piano: No. 2, D'un jardin claire | Lili Boulanger, Sheila Arnold | A Major | 3 | 11B | 69 BPM | ||
| Nocturne in B Flat Major, H. 37 (Version for Harp) | John Field, Magdalena Hoffmann | B♭ Major | 1 | 6B | 97 BPM | ||
| Nocturne No. 14 in G Major, H. 58 | John Field, Alice Sara Ott | F Major | 0 | 7B | 67 BPM | ||
| Suite De Trois Morceaux, Op. 116 | Benjamin Godard, Samuel Sanders, Paula Robison | G Major | 1 | 9B | 82 BPM | ||
| Sonata "Undine" Op. 167 for Flute and Piano: I. Allegro | Carl Reinecke, Jasmine Choi | E Minor | 1 | 9A | 108 BPM | ||
| 3 Romanzen, Op. 94: II. Einfach, innig | Robert Schumann, Céline Moinet, Florian Uhlig | A Major | 5 | 11B | 73 BPM | ||
| Three Romances, Op. 11: No. 1 in E-Flat Minor, Andante | Clara Schumann, Sara Costa | E♭ Minor | 1 | 2A | 134 BPM | ||
| 24 Preludes, Op. 11: No. 21 in B-Flat Major - Andante | Alexander Scriabin, Mao Fujita | F Major | 1 | 7B | 149 BPM | ||
| 3 Nocturnes for Cello and Guitar: Nocturne No. 2 in F Major - Adagio cantabile | Franz Burgmüller, Anja Lechner, Pablo Marquez | F Major | 0 | 7B | 123 BPM | ||
| Entr'acte | Rafael Méndez, Laurindo Almeida, Jacques Ibert | E Major | 3 | 12B | 87 BPM | ||
| A Fugal Concerto, Op. 40, No. 2: II. Adagio | Gustav Holst, Anna Pyne, Philip Harmer, English Sinfonia, Howard Griffiths | C Minor | 1 | 5A | 88 BPM | ||
| 5 Pieces for Violin and Piano: I. Elegia. Andante larghetto | Valentin Silvestrov, Duo Gazzana | E♭ Major | 0 | 5B | 74 BPM | ||
| Flute Concerto: II. Andante | Jacques Ibert, Clara Andrada, Frankfurt Radio Symphony Orchestra, Jaime Martin | D♭ Major | 1 | 3B | 90 BPM |