On January 1, 1969, the song "Continuity in Rhythm" was released by Sam Fonteyn. With This song being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Sam Fonteyn's "Kpm 1000 Series: Sounds in Percussion" album is number 8 out of 26. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Continuity in Rhythm is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Continuity in Rhythm by Sam Fonteyn to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Pretty Girl Is Like a Melody | The Melachrino Strings | G Major | 3 | 9B | 85 BPM | ||
| The Hipcat Swagger | Ritchie Everett | F Major | 4 | 7B | 74 BPM | ||
| Music to Drive By | Alan Moorhouse | F Major | 7 | 7B | 130 BPM | ||
| With Plenty Of Money And You | Hal Kemp And His Orchestra | G Minor | 1 | 6A | 184 BPM | ||
| Spring Fashion | Alan Braden | G Major | 3 | 9B | 84 BPM | ||
| Samba De Orfeu - Remastered | Ray Anthony | D♭ Major | 4 | 3B | 93 BPM | ||
| A Star of Great Prominence / Breakfast | Charlie Chaplin | D♭ Major | 3 | 3B | 184 BPM | ||
| Shopping Street | King Palmer | D Major | 7 | 10B | 144 BPM | ||
| At the Sign of the Swingin' Cymbal (''Pick of the Pops'' Theme) | Brian Fahey & His Orchestra | C Major | 5 | 8B | 123 BPM | ||
| Change Partners | Billy May & His Orchestra | A Major | 3 | 11B | 109 BPM | ||
| Man, Go Man! | Ralph Dollimore | F Minor | 7 | 4A | 88 BPM | ||
| The Godfather's Tarantella (From "The Godfather") | Carmine Coppola | F Minor | 5 | 4A | 124 BPM | ||
| The Third Man (The Harry Lime Theme) | Malcolm Lockyer Orchestra | C Major | 2 | 8B | 132 BPM | ||
| Hollywood Heyday | Gareth Hughes | C Minor | 3 | 5A | 141 BPM | ||
| Stumbling | Tak Shindo | D Minor | 3 | 7A | 145 BPM | ||
| Kate McShane | Muzak Orchestra | B♭ Major | 6 | 6B | 126 BPM | ||
| Roving Report | Jack Trombey | D Minor | 5 | 7A | 132 BPM | ||
| Lucky Lady - Remastered | Manfred Minnich, Manfred Minnich Strings | C Major | 7 | 8B | 123 BPM | ||
| Rhapsody | Laurie Johnson | C Major | 3 | 8B | 98 BPM | ||
| The Dance Sequence | Original Soundtrack | C Major | 3 | 8B | 117 BPM | ||
| Window Shopping in New York | The Fly Guy Five | G Major | 5 | 9B | 200 BPM | ||
| The Mad Hatter's Ball | Syd Dale | C Major | 9 | 8B | 181 BPM | ||
| Sailing By | The Perry-Gardner Orchestra | D Major | 3 | 10B | 90 BPM | ||
| Another Happening | Neil Richardson | F Minor | 5 | 4A | 124 BPM | ||
| Saturday Night and Sunday Morning (From "Saturday Night and Sunday Morning") | Johnny Dankworth | B♭ Minor | 2 | 3A | 110 BPM |