"Abduction" by Craig Armstrong had its release date on October 24, 2011. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Abduction's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Craig Armstrong's "In Time (Original Motion Picture Score)" album is number 11 out of 25. On top of that, United States appears to be the country where this track was created. In terms of popularity, Abduction is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Abduction by Craig Armstrong to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Protect Life | Éric Serra | B Minor | 1 | 10A | 80 BPM | ||
| Togetherness | Rupert Gregson-Williams | F♯ Minor | 2 | 11A | 78 BPM | ||
| Baby Davy | Christopher Willis | C Major | 2 | 8B | 90 BPM | ||
| I Won't Leave You | Clinton Shorter | D Major | 1 | 10B | 119 BPM | ||
| John Rescued / Resolution | Craig Armstrong, Pete Anthony, The Hollywood Studio Symphony | D Major | 0 | 10B | 72 BPM | ||
| The Morrow | Michael Nyman | B♭ Minor | 3 | 3A | 95 BPM | ||
| Cloud Atlas End Title | Tom Tykwer, Johnny Klimek, Reinhold Heil, Gene Pritsker | C Major | 2 | 8B | 83 BPM | ||
| The Barn | Deborah Lurie | F♯ Major | 1 | 2B | 73 BPM | ||
| The Guernsey Literary And Potato Peel Pie Society | Alexandra Harwood | G Major | 2 | 9B | 116 BPM | ||
| The Second Story | Mychael Danna | E Minor | 0 | 9A | 138 BPM | ||
| The Great Secret | Patrick Doyle | A Minor | 0 | 8A | 88 BPM | ||
| Café in Paris | Paul Englishby, Jeremy Holland-Smith | G Major | 1 | 9B | 77 BPM | ||
| Theme from Mystic River | Clint Eastwood | F Major | 0 | 7B | 131 BPM | ||
| Braille | Jan A.P. Kaczmarek | E Minor | 0 | 9A | 136 BPM | ||
| Evelyn Goes It Alone | Geoff Zanelli, Jon Brion | F♯ Minor | 1 | 11A | 83 BPM | ||
| Your Majesty | Rupert Gregson-Williams, Lorne Balfe | B♭ Major | 3 | 6B | 140 BPM | ||
| Mary And Henry | Paul Cantelon | E♭ Major | 1 | 5B | 82 BPM | ||
| Big My Secret | Michael Nyman | D Major | 1 | 10B | 77 BPM | ||
| Trunk Greeting | Alex Heffes | E♭ Major | 0 | 5B | 51 BPM | ||
| First Impressions | Adrian Johnston | F Major | 0 | 7B | 130 BPM | ||
| Final Abierto (Tema de Sira) | Cesar Benito | D Minor | 2 | 7A | 165 BPM | ||
| Ricky - Thème | Philippe Rombi | E Minor | 1 | 9A | 45 BPM | ||
| Vesper (From "Casino Royale" Soundtrack) | David Arnold | A Minor | 1 | 8A | 64 BPM | ||
| I Spy Something Green | Theodore Shapiro | B Major | 1 | 1B | 68 BPM | ||
| Doe Eyes (Love Theme from the Bridges of Madison County) (Reprise) - Love Theme From The Bridges Of Madison County Reprise | Lennie Niehaus, Clint Eastwood | C Major | 1 | 8B | 82 BPM |