"Roars From The Lab" by Kyle Dixon & Michael Stein had its release date on October 5, 2018. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Roars From The Lab's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Stranger Things: Halloween Sounds from the Upside Down (a Netflix Original Series Soundtrack)". In this album, this song's track order is #4. Based on our statistics, Roars From The Lab's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Roars From The Lab by Kyle Dixon & Michael Stein having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Control | Jed Palmer | D♭ Minor | 0 | 12A | 69 BPM | ||
| Enter the Clown | Richard Bellis | D Major | 1 | 10B | 85 BPM | ||
| No Escape | Charles Bernstein | G Major | 5 | 9B | 134 BPM | ||
| Hazmat Suits | Kyle Dixon & Michael Stein | C Major | 2 | 8B | 128 BPM | ||
| Main Title (Stephen King's IT) | Richard Bellis | F Major | 1 | 7B | 72 BPM | ||
| Anyone | Disasterpeace | A♭ Major | 0 | 4B | 85 BPM | ||
| A Psychic Poison | Jim Williams | D♭ Major | 1 | 3B | 90 BPM | ||
| Lonely Perfection | Jed Kurzel | F Minor | 2 | 4A | 98 BPM | ||
| The Massacre (Main Theme) | Ross Tregenza, Wes Keltner | A♭ Major | 7 | 4B | 99 BPM | ||
| Suspense Horror Sounds | It Lives Down Below | D♭ Major | 0 | 3B | 70 BPM | ||
| Fact or Fiction | Makeup And Vanity Set | B♭ Minor | 7 | 3A | 180 BPM | ||
| Communing | Thomas Haines | E♭ Major | 5 | 5B | 101 BPM | ||
| The Spider's Web | Richard Bellis | C Major | 3 | 8B | 132 BPM | ||
| Cult of Chucky Main Title | Joseph Loduca | F♯ Minor | 3 | 11A | 130 BPM | ||
| THE GHOST GRABBER | Atticus Derrickson | G Major | 1 | 9B | 90 BPM | ||
| To Catch a Fantasy | Jason Hill | A♭ Major | 3 | 4B | 67 BPM | ||
| Incredibly Anxious | William Jay Stein & Michael A. Rosen | A♭ Major | 4 | 4B | 84 BPM | ||
| Masking Tape | Jason Hill | F Minor | 4 | 4A | 76 BPM | ||
| Greg | Disasterpeace | F Minor | 1 | 4A | 137 BPM | ||
| Treading Water | Jason Graves | B Major | 6 | 1B | 119 BPM | ||
| How Did You Know? | Charlie Clouser | F Major | 3 | 7B | 84 BPM | ||
| Dark Intentions | J. M. Quintana Cámara | D Minor | 2 | 7A | 142 BPM | ||
| La force du faible | CHLOE (Thévenin) | C Minor | 1 | 5A | 63 BPM | ||
| Sweet Poison | Liliya Kumar, Lofi Chills | D♭ Major | 2 | 3B | 105 BPM | ||
| The Funeral Coach Arrives | Shadow's Symphony | A♭ Major | 2 | 4B | 71 BPM |