"Rebel Briefing" by John Williams, London Symphony Orchestra had its release date on January 1, 1983. The duration of This song is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Rebel Briefing's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Star Wars: Return of the Jedi (Original Motion Picture Soundtrack)". In this album, this song's track order is #8. In terms of popularity, Rebel Briefing is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rebel Briefing by John Williams, London Symphony Orchestra having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ready to Go | Natalie Holt | B♭ Minor | 1 | 3A | 80 BPM | ||
| Through the Eyes of Love (From "Ice Castles") [Arr. B. Byers for Orchestra] - Instrumental | Marvin Hamlisch, John Williams, Boston Pops Orchestra | A Major | 1 | 11B | 72 BPM | ||
| Rough Flight | John Ottman | E Minor | 4 | 9A | 85 BPM | ||
| Jyn Erso & Hope Suite | Michael Giacchino | G Major | 1 | 9B | 72 BPM | ||
| Flight of the Order of the Phoenix | Nicholas Hooper | D Major | 5 | 10B | 106 BPM | ||
| Kessel Run in Less Than 12 Parsecs (5M32-33A-B-C) | John Powell, John Williams | A Minor | 3 | 8A | 80 BPM | ||
| The Jedi Academy | Nathanael Lloyd | D Minor | 1 | 7A | 140 BPM | ||
| Elasmosaurus | Kara Talve, Anže Rozman | C Minor | 1 | 5A | 120 BPM | ||
| Pavane pour une infante défunte (Pavane for a Dead Princess), M. 19 | London Symphony Orchestra | G Major | 1 | 9B | 74 BPM | ||
| The Room of Requirements | Nicholas Hooper | C Major | 1 | 8B | 156 BPM | ||
| Farewell Aragog | Nicholas Hooper | G Major | 0 | 9B | 82 BPM | ||
| The Goondocks (Goonies Theme) | Dave Grusin | A Major | 2 | 11B | 87 BPM | ||
| The Destruction Of Xizor's Palace | Joel McNeely, Royal Scottish National Orchestra, Royal Scottish National Orchestra and Chorus | F Minor | 3 | 4A | 144 BPM | ||
| You Are a Mandalorian | Ludwig Göransson | G Major | 2 | 9B | 81 BPM | ||
| Training Hard / Russian Moon | Bill Conti | E Minor | 3 | 9A | 117 BPM | ||
| Entry of the Gods into Valhalla | Richard Wagner, London Symphony Orchestra, Yondani Butt | D♭ Major | 0 | 3B | 51 BPM | ||
| I Am a Gentleman / Mig's Story | William Ross | D Major | 0 | 10B | 86 BPM | ||
| Spotting Movement | Harry Gregson-Williams | D♭ Major | 0 | 3B | 130 BPM | ||
| Night on Arrakis | Hans Zimmer | C Major | 0 | 8B | 125 BPM | ||
| No Hero Is Born from Lies | Hans Zimmer | C Major | 4 | 8B | 136 BPM | ||
| Stairs and Rooftops | Lorne Balfe | D♭ Major | 6 | 3B | 155 BPM | ||
| Isn't It Beautiful | Ramin Djawadi | C Major | 1 | 8B | 75 BPM | ||
| Two Paths Diverged | Joseph Shirley, Ludwig Goransson | G Minor | 1 | 6A | 80 BPM | ||
| Two Socks / The Wolf Theme (From "Dance with Wolves" Soundtrack) | John Barry | A Major | 1 | 11B | 76 BPM | ||
| The Mission Begins - Instrumental | Michael Kamen, London Metropolitan Orchestra | D Major | 2 | 10B | 86 BPM |