Quatuor No. 1 in D Major: IV. Gaiment by Christophe Rousset, Masahiro Arita, Ryo Terakado, Kaori Uemura Song Details

Christophe Rousset, Masahiro Arita, Ryo Terakado, Kaori Uemura's 'Quatuor No. 1 in D Major: IV. Gaiment' had a release date set for January 1, 2010. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 37 in the song's album "Telemann: Quatuors Parisiens". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Quatuor No. 1 in D Major: IV. Gaiment is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Quatuor No. 1 in D Major: IV. Gaiment by Christophe Rousset, Masahiro Arita, Ryo Terakado, Kaori Uemura having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Music Key

D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 21%
Loudness: -21.119 dB
Acousticness: 90%
Danceability: 25%
Energy: 7%
Instrumentalness: 0%
Liveness: 14%
Loudness: 65%
Speechiness: 4%
Valence: 39%

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