Mahesh Ranjan Shome's ' "Tai Abhiman Kori Ami" was released on its scheduled release date, December 1, 1968. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 20 in Chayanika by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Tai Abhiman Kori Ami's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Tai Abhiman Kori Ami by Mahesh Ranjan Shome is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kavlya Pananchi Nagin | Shakuntala Jadhav | E♭ Minor | 3 | 2A | 214 BPM | ||
| Aarti Gyanraja | Ajeet Kumar Kadkade | A♭ Major | 7 | 4B | 104 BPM | ||
| Aarti Shree Ram Chi | Ravindra Sathe, Sangeeta Kulkarni | A Minor | 9 | 8A | 97 BPM | ||
| Hridi Vrindavane Bas | Ramakrishna Math, Mahesh Ranjan Shome | D♭ Major | 4 | 3B | 130 BPM | ||
| Jagiya Loho Krishna Naam | Apily Dutta Bhowmick | C Major | 6 | 8B | 116 BPM | ||
| Ke He Jogi | Raghab Chatterjee | F Major | 4 | 7B | 140 BPM | ||
| Ahare Sonali Bondhu Shuniye Ja Mor Kotha | Selim Chowdhury | E Major | 6 | 12B | 102 BPM | ||
| Trinoyoni Elokeshi | Raghab Chatterjee | C Minor | 6 | 5A | 136 BPM | ||
| Tomay Gaan Shonabo | Chinmoy Chatterjee | B♭ Minor | 2 | 3A | 101 BPM | ||
| Zale Shree Samarth Darshan | Mahendra Warekar, Ravindra Sathe | D Major | 7 | 10B | 175 BPM | ||
| Harinaam Sankirtan - Original | Amrik Singh Arora, NA | E♭ Major | 6 | 5B | 111 BPM | ||
| O Bangali Babu | Sanajit Mondal | C Major | 4 | 8B | 84 BPM | ||
| Nanya Spriha Raghupathe | Ramakrishna Math, Monks of the Ramakrishna Order | C Major | 2 | 8B | 84 BPM | ||
| Laya God Sapan Padal | Shakuntala Jadhav | B♭ Minor | 6 | 3A | 79 BPM | ||
| Somoy To Thakbe Na | Indranil Dutta | D♭ Minor | 7 | 12A | 128 BPM | ||
| Jage Alo Jage Pran | Aditi Munshi, Indranil Dutta | F Minor | 7 | 4A | 147 BPM | ||
| Naba Anande Jago | Srikanta Acharya | C Major | 6 | 8B | 131 BPM | ||
| Dindi Magun Dindi Aali | Swapnil Bandodkar | B♭ Minor | 6 | 3A | 103 BPM | ||
| Aaj Aanand Paamiya Man | Nargis Balolia | F♯ Minor | 5 | 11A | 133 BPM | ||
| Bolya Shri Hari Re | BAPS Swaminarayan Sanstha | F Minor | 4 | 4A | 116 BPM | ||
| Rai Jago Rai Jago | Amar Pal | F♯ Major | 4 | 2B | 116 BPM | ||
| Ami Kothay Pabo Tare | Amar Pal | A♭ Major | 4 | 4B | 109 BPM | ||
| Sourjo Dao Birjo Dao | Mahesh Ranjan Shome | F♯ Minor | 5 | 11A | 175 BPM | ||
| Nade Talmal Talmal Kare | Ramakrishna Math, Mahesh Ranjan Shome | F♯ Major | 4 | 2B | 146 BPM | ||
| Mamun Tumi Bhabane | Dr Anima Choudhury, Tarali Sarma, Ambalika, Group | D♭ Minor | 5 | 12A | 80 BPM |