Tripti Shakya's ' "Man Leke Aaya Mata Rani Ke Bhawan May" was released on its scheduled release date, 2014. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Nitesh Raman, Lokesh Kumar, Tripti Shakya's "Mamta Ka Mandir" album is number 6 out of 10. On top of that, India appears to be the country where this track was created. Based on our statistics, Man Leke Aaya Mata Rani Ke Bhawan May's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Man Leke Aaya Mata Rani Ke Bhawan May by Tripti Shakya to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kahwa Se Chali Ayalho He Radhika | Sunil Chhaila Bihari, Tripti Shakya | F Major | 7 | 7B | 139 BPM | ||
| Tum Utho Siya Shringaar Karo Shiv Dhanush Ram Ne Toda Hai | Simran Rathore | E Major | 9 | 12B | 109 BPM | ||
| Dena Ho To Deejiye Janm Janm Ka Saath | Mukesh Bagda | D♭ Major | 8 | 3B | 76 BPM | ||
| Radha Rani - Bhajan Mashup | Dhruv Sharma, Swarna Shri | D Major | 3 | 10B | 90 BPM | ||
| Kaali Kamli Wala Mera Yaar Hai (Remix) | Chitra Vichitra Ji Maharaj | B♭ Minor | 10 | 3A | 95 BPM | ||
| Banke Bihari Ki Dekh Chhatha | Anju Sharma | B♭ Major | 7 | 6B | 156 BPM | ||
| Meri Lagi Shaym Sang Preet Ye Duniya Kya Jane | Sanatana Sankirtan, Shyam Bihari Das, JayShree | B♭ Major | 4 | 6B | 92 BPM | ||
| Hamare Sath Bholenath | Gajendra Pratap Singh | F Major | 7 | 7B | 139 BPM | ||
| Dena Hai To De De Sanware | Ramavtar Sharma | B♭ Minor | 9 | 3A | 146 BPM | ||
| Chali Jaa Rahi Hai Umar Dheere Dheere | Prakash Gandhi | F♯ Minor | 7 | 11A | 148 BPM | ||
| Kaun Kehte Hain Bhagwan Aate Nahi (Achyutam Keshavam) | Payal Dev, Tulsi Kumar, Jubin Nautiyal | D Major | 8 | 10B | 83 BPM | ||
| Raghav Lalan Tere Komal Charan | Mishra Bandhu | F♯ Major | 6 | 2B | 135 BPM | ||
| Shri Krishnashtakam | Madhvi Madhukar | F Minor | 5 | 4A | 85 BPM | ||
| Main Pardesi Hoon Pahli Baar Aaya Hoon | Madhushmita, Parthiv Goel | A♭ Major | 7 | 4B | 86 BPM | ||
| Teri Mand Mand Mushakniya Pe Balihar Raghav | Prakash Gandhi | D♭ Minor | 8 | 12A | 138 BPM | ||
| Mera Apaki Kripa Se | chronically online | F Major | 4 | 7B | 100 BPM | ||
| Radhey Radhey Japo Chale Aayenge Bihari | Mridul Krishan Shastri | G Minor | 5 | 6A | 100 BPM | ||
| Shyam Charno Mein | Lakhbir Singh Lakkha | D♭ Minor | 7 | 12A | 102 BPM | ||
| Nagar Me Jogi Aaya | Bhasker Shukla | A♭ Minor | 6 | 1A | 84 BPM | ||
| Radha Rani Meri Hai | Devi Neha Saraswat | A Major | 9 | 11B | 136 BPM | ||
| Ram Naam Sukhdaai | Tripti Shakya | D♭ Major | 9 | 3B | 101 BPM | ||
| Mahakal Darshan | Gajendra Pratap Singh, Nikhar Juneja, Ravindra Pratap Singh | B♭ Minor | 8 | 3A | 145 BPM | ||
| Radhe Rani Ke Charan | Devi Neha Saraswat | G Minor | 8 | 6A | 83 BPM | ||
| Murli Baja Ke Mohana | Shridhay Shri Mridul krishna shastri ji maharaj | A♭ Major | 8 | 4B | 148 BPM | ||
| Sabse Sundar Sapne Ram | Kumar Vishwas | A♭ Minor | 6 | 1A | 154 BPM |