Gottlieb Muffat, Mitzi Meyerson's ' "Suite No. 6 in G Major, R. 126-134: II. Allemande, R. 127" was released on its scheduled release date, January 1, 2009. The duration of This song is about 3 minutes long, at 3:14. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Gottlieb Muffat, Mitzi Meyerson's "Muffat, G.: Componimenti Musicali Per Il Cembalo" album is number 18 out of 51. On top of that, Spain appears to be the country where this track was created. In terms of popularity, Suite No. 6 in G Major, R. 126-134: II. Allemande, R. 127 is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Suite No. 6 in G Major, R. 126-134: II. Allemande, R. 127 by Gottlieb Muffat, Mitzi Meyerson to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto Armonico No. 1 in G Major: Un poco andante | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E♭ Minor | 1 | 2A | 103 BPM | ||
| Concerto No. 2, Op. 8, RV 315 - "L'Estate (L'Éte)" | Antonio Vivaldi, Apollo's Fire, Jeannette Sorrell | F♯ Minor | 2 | 11A | 81 BPM | ||
| Jesu, meine Freude in E Minor, BuxWV 60: I. Sonata | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin | E Minor | 1 | 9A | 167 BPM | ||
| Sonata in C Minor, DürG 14: I. Largo | Johann Gottlieb Goldberg, Accademia dell'Annunciata, Riccardo Doni | B Minor | 1 | 10A | 64 BPM | ||
| Overture in G Minor: VI. Aria | Giuseppe Antonio Brescianello, La Cetra Barockorchester Basel, David Plantier, Vaclav Luks | F♯ Minor | 1 | 11A | 140 BPM | ||
| Concerto grosso No. 3 in D Minor: III. Vivace (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | D♭ Major | 1 | 3B | 183 BPM | ||
| Suite No. 4 in B-Flat Major: V. La hardiesse | Gottlieb Muffat, Roberto Loreggian | F♯ Major | 5 | 2B | 94 BPM | ||
| Componimenti musicali per il cembalo, Suite IV in B-Flat Major: V. La Hardiesse. Allegro | Gottlieb Muffat, Alexandra Nepomnyashchaya | D♭ Major | 4 | 3B | 74 BPM | ||
| Recorder Sonata in D Minor, Op. 1 No. 9a, HWV 367a: III. Furioso | George Frideric Handel, Rachel Beckett, Richard Tunnicliffe, Paul Nicholson | A♭ Minor | 1 | 1A | 130 BPM | ||
| Sinfonia in D Minor, Fk. 65: II. Fuge | Wilhelm Friedemann Bach, Concerto Köln | D Major | 0 | 10B | 96 BPM | ||
| Scarlatti, D: Keyboard Sonata in A Minor, Kk. 3 | Domenico Scarlatti, Scott Ross | B Major | 4 | 1B | 111 BPM | ||
| Sonata in D Minor, Kk. 1 (Allegro) | Domenico Scarlatti, Pieter-Jan Belder | A♭ Minor | 2 | 1A | 73 BPM | ||
| Harpsichord Sonata in D Major, Op. 3 No. 1, SF C717a: I. Largo | Benedetto Marcello, Roberto Loreggian | A♭ Major | 3 | 4B | 88 BPM | ||
| Concerto In D Major, Op. 26, No. 6: 2. Largo | Joseph Bodin de Boismortier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 97 BPM | ||
| Tombeau fait à Paris sur la mort de Monsieur Blancheroche, FbWV 632: Tombeau fait a Paris sur la mort de Monsieur Blancheroche, FbWV 632 | Johann Jakob Froberger, Władysław Kłosiewicz | D♭ Major | 0 | 3B | 142 BPM | ||
| Trio in E-Flat Major, TWV 42:Es1: I. Affetuoso | Georg Philipp Telemann, Musica Amphion, Pieter-Jan Belder | B Minor | 1 | 10A | 96 BPM | ||
| Sinfonia in C Major: III. Allegro | Antonio Caldara, Collegium 1704, Vaclav Luks | D Major | 1 | 10B | 93 BPM | ||
| Scarlatti, A: Concerto grosso in sette parti: No. 4 in G Minor: I. Allegro ma non troppo | Alessandro Scarlatti, Europa Galante, Fabio Biondi | F♯ Minor | 3 | 11A | 118 BPM | ||
| Mozart: Oboe Quartet in F Major, K. 370/368b: II. Adagio | Wolfgang Amadeus Mozart, David Friedemann Strunck, Elise Båtnes, Henninge Landaas, Bjørn Solum, Arvid Engegard, Oslo Philharmonic Orchestra | D Minor | 1 | 7A | 90 BPM | ||
| Violin Sonata in C Major, Op. 5 No. 3: III. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 21 in B flat major, BWV 866 | Luc Beauséjour | E Major | 3 | 12B | 125 BPM | ||
| Couperin, L: Suite en ré: III. Courante, G. 42 | Louis Couperin, Jean Rondeau | G Minor | 2 | 6A | 84 BPM | ||
| 12 Sonate melodiche, G major, TWV41: G 4: III. Mesto | Han De Vries, Wouter Moeller | E♭ Minor | 1 | 2A | 78 BPM | ||
| 3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: III. Largo | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | E♭ Minor | 1 | 2A | 137 BPM | ||
| Partie 5 en ut majeur: Aria | Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl | B Major | 2 | 1B | 100 BPM |