On December 5, 2022, the song "Allegro 5 (O Tannenbaum)" was released by Traditional, 유연하. With This song being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 16 in Christmas Meditation Music for Ballet Class Part 2. Center Works by 유연하. Going off of the ISRC code of this track, we detected that the origin of this track is from South Korea. Allegro 5 (O Tannenbaum) is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Allegro 5 (O Tannenbaum) by Traditional, 유연하 is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O sacred head sore wounded | Johann Sebastian Bach, Cathedral Choral Society, Nicholas White, Gisele Becker | C Major | 1 | 8B | 167 BPM | ||
| The Road Home | Stephen Paulus, Conspirare, Craig Hella Johnson | F Major | 1 | 7B | 99 BPM | ||
| Drei geistliche Gesänge, Op. 69 "Bleib bei uns": No. 3 in F Major, Abendlied | Josef Rheinberger, Cantus Novus Wien, Thomas Holmes | F Major | 2 | 7B | 79 BPM | ||
| Winter Meditation (after The Four Seasons, Violin Concerto, RV 297: II. Largo) | Antonio Vivaldi, Eldbjørg Hemsing, Hestia String Quartet | E♭ Major | 3 | 5B | 174 BPM | ||
| Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
| Our Song - Arr. Dan Walker | Kate Miller-Heidke, Keir Nuttall, Gondwana Voices, Lyn Williams | G Minor | 1 | 6A | 80 BPM | ||
| Jesu, Joy Of A Man's Desiring - Prelude To Joy Album Version | Traditional, David Davidson | D Major | 5 | 10B | 98 BPM | ||
| Bookes of Ayres, Book 2: Never weather-beaten saile more willing bent to shore | Thomas Campion, Julianne Baird, Ronn McFarlane | A♭ Major | 0 | 4B | 99 BPM | ||
| Five Hebrew Love Songs: Rakut | Eric Whitacre, Chór Mieszany Katedry Wawelskiej, Andrzej Korzeniowski, Monika Płachta, Paweł Wajrak, Katarzyna Łukawska, Tomasz Sobaniec | G Major | 0 | 9B | 79 BPM | ||
| Winter Wedding Dance | Thomas Hewitt Jones & The Chamber Orchestra of London | G Minor | 3 | 6A | 110 BPM | ||
| Eternal Rest | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | G Major | 1 | 9B | 128 BPM | ||
| Much Ado about Nothing Suite, Op. 11: IV. Intermezzo (Garden Scene) | Erich Wolfgang Korngold, Mineria Symphony Orchestra, Carlos Miguel Prieto | C Major | 0 | 8B | 108 BPM | ||
| Himno 1 | David Cerrejón | E♭ Minor | 0 | 2A | 88 BPM | ||
| Intermezzo sinfonico, from Symphonic Poetry | State R&T Symphony Orchestra Moscow | F Major | 3 | 7B | 79 BPM | ||
| Más cerca, Dios, de Ti | Marx Huancas | E♭ Major | 2 | 5B | 168 BPM | ||
| Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
| Veni Veni Emmanuel | The Schola Cantorum of St. John XXIII Parish | C Major | 2 | 8B | 79 BPM | ||
| Saint-Saens, Organ Symphony, Finale | Philharmonia La Seine | F Major | 4 | 7B | 150 BPM | ||
| Celestial Reflections | Gregorian Chanting Monks, The Chanting Monk | E Minor | 1 | 9A | 79 BPM | ||
| Let all mortal flesh keep silent | Traditional, Choir of St George's Chapel, Windsor Castle, Marlowe Brass Ensemble, Timothy Byram-Wigfield | B♭ Major | 1 | 6B | 83 BPM | ||
| To Dionysus | The Rosslyn Singers, Mary Oliver | E Major | 2 | 12B | 77 BPM | ||
| The Lily and the Rose | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 0 | 8A | 69 BPM | ||
| Albinoni / Giazotto: The Beatitudes (Adagio) | Remo Giazotto, Tomaso Albinoni, Edward Higginbottom, Choir of New College, Oxford, Capricorn | C Minor | 2 | 5A | 95 BPM | ||
| Parce Domine | The Schola Cantorum of St. John XXIII Parish | D♭ Minor | 1 | 12A | 137 BPM | ||
| Regreso a la Tonada (Arr. Eduardo Ferraudi) | Sexteto Cantábile | F Minor | 1 | 4A | 108 BPM |