InVisions's 'Too Far Gone' had a release date set for February 8, 2019. Too Far Gone is considered explicit and may contain foul language. This song is about 3 minutes and 28 seconds, which is about the average length of a typical song. The song is number 2 out of 12 in Between You & Me by InVisions. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Too Far Gone's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Too Far Gone by InVisions is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Transgression | Divisions | F♯ Major | 10 | 2B | 112 BPM | ||
| Kombat | Dayshell, Dropout Kings | G Minor | 10 | 6A | 133 BPM | ||
| Pressure | Dayshell | G Minor | 9 | 6A | 87 BPM | ||
| Back for More | AVIIRA | G Minor | 9 | 6A | 157 BPM | ||
| Death Blooms | Livealie | B♭ Minor | 10 | 3A | 90 BPM | ||
| Abaddon | Advocates | E Major | 10 | 12B | 125 BPM | ||
| Animals | Breakdowns At Tiffany's | G Minor | 10 | 6A | 145 BPM | ||
| Vortex (Interdimensional Spiral Hindering Inexplicable Euphoria) | Make Them Suffer | A Minor | 9 | 8A | 160 BPM | ||
| The Forked Tongue | DVSR | D♭ Major | 10 | 3B | 140 BPM | ||
| Black Hole | Afterglow | F♯ Minor | 7 | 11A | 125 BPM | ||
| Phantom Pain | Gravemind | E♭ Major | 10 | 5B | 160 BPM | ||
| Left for Dead | Speaking With Ghosts | A♭ Major | 10 | 4B | 160 BPM | ||
| Surrounded | Of Virtue | D♭ Major | 10 | 3B | 141 BPM | ||
| Can You Hear the Silence | Mirrors | B♭ Major | 10 | 6B | 140 BPM | ||
| Common Grave | Defocus | A Minor | 10 | 8A | 140 BPM | ||
| Labyrinth | Above, Below | E Minor | 10 | 9A | 107 BPM | ||
| The Haunting | InVisions | D Major | 10 | 10B | 140 BPM | ||
| Sibling | Shields | B♭ Minor | 10 | 3A | 140 BPM | ||
| Ephemeral | Above, Below | E Minor | 10 | 9A | 115 BPM | ||
| Exploit | City State | E Major | 10 | 12B | 120 BPM | ||
| White Embers | Shields, Spencer Charnas | A♭ Minor | 10 | 1A | 140 BPM | ||
| Lost Cause | Neon Graves | D♭ Minor | 10 | 12A | 172 BPM | ||
| Lost Choices | Glass Houses | B♭ Minor | 10 | 3A | 95 BPM | ||
| Hell / Me | Uni/Vs | A♭ Minor | 10 | 1A | 130 BPM | ||
| Veli | Atlas | F♯ Major | 9 | 2B | 95 BPM |