相原 隆行's 'Chapter VI - On the Ground' had a release date set for April 20, 2011. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Chapter VI - On the Ground's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 47 in Drakengard Original Soundtrack Re-release by 佐野 信義, 相原 隆行. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Based on our statistics, Chapter VI - On the Ground's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Chapter VI - On the Ground by 相原 隆行 is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| イキサキノイズ | 高田雅史 | G Minor | 8 | 6A | 89 BPM | ||
| THE BUSTER! | SIE Sound Team | A Major | 5 | 11B | 145 BPM | ||
| Momentary Discomfort / Cold Vs. Hot | Lolita Ritmanis | G Major | 4 | 9B | 120 BPM | ||
| Loveless - The Dragon King Varvados - FF7 Rebirth OST Ver. | Masashi Hamauzu | G Minor | 8 | 6A | 89 BPM | ||
| Chapter XII - In the Sky | 佐野 信義 | B Minor | 6 | 10A | 174 BPM | ||
| Lurking in the Forest | Sergio de Prado | B♭ Minor | 9 | 3A | 110 BPM | ||
| Final Judge | Noah Smith Sound | A♭ Minor | 4 | 1A | 156 BPM | ||
| スカー | Michiru Oshima | D Major | 8 | 10B | 90 BPM | ||
| The Fallen Empire | Jagex Audio Team, Oliver Nixon | F♯ Minor | 3 | 11A | 95 BPM | ||
| J-E-N-O-V-A - Emergence - FF7 Rebirth OST Ver. | 植松 伸夫, 中村佳紀 | G Minor | 8 | 6A | 89 BPM | ||
| CQC | Harry Gregson-Williams | D Major | 6 | 10B | 136 BPM | ||
| オペラハウス | YOSHIHIRO KANNO | B Minor | 1 | 10A | 75 BPM | ||
| バロックワークス | 岩崎文紀 | C Major | 3 | 8B | 144 BPM | ||
| 辿り着いた夢の跡 | Akiyuki Morimoto | D Major | 1 | 10B | 79 BPM | ||
| Operation Eoanthropus (I_050) | Masayuki Hasuo | A♭ Major | 8 | 4B | 124 BPM | ||
| Mission Briefing Theme | Joris de Man | G Major | 3 | 9B | 140 BPM | ||
| Mean Machinery | Aleksi Aubry-Carlson, Jonathan Figoli | D Minor | 4 | 7A | 82 BPM | ||
| Chapter XIII - Finale | 佐野 信義 | B Minor | 5 | 10A | 135 BPM | ||
| Make Us Whole | Trevor Gureckis | G Major | 6 | 9B | 65 BPM | ||
| Chapter VIII - In the Sky | 佐野 信義 | D♭ Major | 6 | 3B | 125 BPM | ||
| 凍てつく要塞に蠢く影 ―追跡― | YUKO KOMIYAMA | D♭ Major | 6 | 3B | 158 BPM | ||
| Delirium's Embrace | Akira Yamaoka | D♭ Major | 8 | 3B | 140 BPM | ||
| Temptation Starway | Eddy Melton, Eddie Melton | D♭ Minor | 4 | 12A | 105 BPM | ||
| Silence | 磯江俊道 | B♭ Minor | 8 | 3A | 192 BPM | ||
| 大戦争の幕開け | Akira Miyagawa | A Minor | 2 | 8A | 142 BPM |