"The Eleventh Hour" by Martin Tillmann, Tom Vedvik had its release date on December 19, 2017. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. The Eleventh Hour's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Martin Tillmann, Tom Vedvik's "Minimalism 2" album is number 12 out of 17. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, The Eleventh Hour is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Eleventh Hour by Martin Tillmann, Tom Vedvik to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Breakthrough | Mars Lasar | B Minor | 1 | 10A | 73 BPM | ||
| Tally's Lullaby | Karen Marie Garrett | C Major | 0 | 8B | 74 BPM | ||
| 49 Years | Pakk Hui | A♭ Major | 2 | 4B | 81 BPM | ||
| Strange People | Martin Phipps | F♯ Major | 1 | 2B | 70 BPM | ||
| The Knowing | Takashi Suzuki | C Major | 2 | 8B | 60 BPM | ||
| Distance | Tofik Mikayilzade, MirBala | D Minor | 1 | 7A | 101 BPM | ||
| McCall Mourns Susan | Harry Gregson-Williams | E♭ Major | 0 | 5B | 142 BPM | ||
| Rich Beyond Belief | Guy Farley | E♭ Major | 1 | 5B | 74 BPM | ||
| Pure Black | Tom Vedvik, Martin Tillmann | C Major | 3 | 8B | 111 BPM | ||
| Rockwell's Diary 3 | Gareth Coker | F♯ Major | 3 | 2B | 61 BPM | ||
| Im ayrogh veuchtitz | Lévon Minassian | B♭ Major | 3 | 6B | 95 BPM | ||
| Hidden Tides | David Campbell, Martin Tillmann, Nicolas Neidhardt, Satnam Ramgotra | D Major | 6 | 10B | 114 BPM | ||
| Under the Lights | Ernesto Vallini, Tom Hall | F Major | 2 | 7B | 55 BPM | ||
| The Ghost Pavane | Christopher Young | F Minor | 0 | 4A | 109 BPM | ||
| A Song Left in the Apple Tree | Gravenwyld | C Major | 2 | 8B | 140 BPM | ||
| Who Are We to Say | Lisa Gerrard, Jeff Rona | G Major | 3 | 9B | 71 BPM | ||
| Get Down | Zodweba | A♭ Major | 0 | 4B | 122 BPM | ||
| The World Turned Upside Down - Pt. 2 | Laurent Eyquem | B♭ Major | 0 | 6B | 71 BPM | ||
| Between Bells | Night Monastery | F♯ Major | 3 | 2B | 61 BPM | ||
| La Verdad | Fernando Velázquez | D Major | 0 | 10B | 103 BPM | ||
| Fahrar | Jeremy Soule | F♯ Major | 3 | 2B | 61 BPM | ||
| Truth Laid Bare | Tom Vedvik, Martin Tillmann | A Major | 3 | 11B | 180 BPM | ||
| Blue Nights | Jan Uve | B♭ Minor | 2 | 3A | 139 BPM | ||
| Moonflower | Doug Hammer, Amethyste | E♭ Major | 0 | 5B | 70 BPM | ||
| Be at Peace | Greg Maroney | C Major | 1 | 8B | 170 BPM |