"Water Music Suite No. 3 in G, HWV 350: 19. Menuet" by George Frideric Handel, Concertgebouw Chamber Orchestra, Simon Preston had its release date on May 1, 1991. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Water Music Suite No. 3 in G, HWV 350: 19. Menuet's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Simon Preston, Concertgebouw Chamber Orchestra's "Handel: Water Music; Music For The Royal Fireworks" album is number 13 out of 25. In terms of popularity, Water Music Suite No. 3 in G, HWV 350: 19. Menuet is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Water Music Suite No. 3 in G, HWV 350: 19. Menuet by George Frideric Handel, Concertgebouw Chamber Orchestra, Simon Preston to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Handel / Arr. Mackerras & Rothwell: Oboe Concerto No. 2a in B-Flat Major, HWV 301: I. Adagio - II. Allegro | George Frideric Handel, Evelyn Rothwell, Valda Aveling, Hallé, Sir John Barbirolli | B♭ Major | 2 | 6B | 108 BPM | ||
| Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
| Gluck: Orphée et Eurydice, Wq. 41, Act 2: Danse des ombres heureuses | Christoph Willibald Gluck, Sir Neville Marriner, Academy of St. Martin in the Fields, Paul Davies | F Major | 0 | 7B | 76 BPM | ||
| Purcell: Chacony in G Minor, Z. 730 | Henry Purcell, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
| Die schöne Müllerin, D. 795: No. 19, Der Müller und der Bach - Performed on Cello & Piano | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM | ||
| Albinoni: Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio | Tomaso Albinoni, Pierre Pierlot, Claudio Scimone, I Solisti Veneti | B♭ Major | 2 | 6B | 72 BPM | ||
| Viola Concerto In G Major, TWV 51:g9: IV. Presto | Ladislav Kyselák, Capella Istropolitana, Georg Philipp Telemann | D Major | 0 | 10B | 91 BPM | ||
| Water Music Suite No. 1 in F: Adagio e staccato | Berliner Philharmoniker, Riccardo Muti | D Minor | 1 | 7A | 77 BPM | ||
| Suite in D Minor: 2. Sarabande | Louis Couperin, Christopher Hogwood | D♭ Minor | 1 | 12A | 140 BPM | ||
| Salut d'amour, Op. 12 (Arr. Cullen for Cello and Orchestra) | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM | ||
| Thaïs / Acte Deux: Meditation | Jules Massenet, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 3 | 6B | 99 BPM | ||
| Melody from « Orfeo » | Christoph Willibald Gluck, Roberto Giordano | G Minor | 2 | 6A | 115 BPM | ||
| Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": III. Tempo di Minuetto | William Boyce, Aradia Ensemble, Kevin Mallon | E Major | 2 | 12B | 153 BPM | ||
| Symphony in D Major, J-C 16: II. Andante sempre piano | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM | ||
| Keyboard Sonata in B Minor, Wq. 55/3, H. 245: Cantabile | Carl Philipp Emanuel Bach, Christopher Hinterhuber | E Minor | 1 | 9A | 106 BPM | ||
| Overture No. 6 in B-Flat Major: I. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Minor | 3 | 11A | 178 BPM | ||
| Scarlatti, D: Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, David Fray | D Major | 0 | 10B | 68 BPM | ||
| Idyl for Strings - Adagio | Leoš Janáček, Hanspeter Gmür, Camerata Romana | G Major | 1 | 9B | 105 BPM | ||
| Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
| Atys, LWV 53: Ouverture | Jean-Baptiste Lully, Leonardo García-Alarcón, Cappella Mediterranea | F Minor | 3 | 4A | 131 BPM | ||
| Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano) | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
| Cantique de Jean Racine, Op. 11 | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | D♭ Major | 2 | 3B | 73 BPM | ||
| Albinoni: Adagio in G Minor | Tomaso Albinoni, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 90 BPM | ||
| Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous) | Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
| Concerto for Oboe d'amore, Strings and B.c. "Verdi prati": Allegro ("Tornami a vagheggiar" from Opera 'Alcina', HWV 34) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | A Major | 2 | 11B | 103 BPM |