Tex Ritter's ' "High Noon (A/K/A Do Not Forsake Me) - Re-Recorded" was released on its scheduled release date, July 25, 2000. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. High Noon (A/K/A Do Not Forsake Me) - Re-Recorded's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "The Very Best (The Shasta Masters)". In this album, this song's track order is #1. Based on our statistics, High Noon (A/K/A Do Not Forsake Me) - Re-Recorded's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With High Noon (A/K/A Do Not Forsake Me) - Re-Recorded by Tex Ritter having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hangman's Boogie | Cowboy Copas | D Major | 3 | 10B | 137 BPM | ||
| Long Long Texas Road | Roy Drusky | E Major | 5 | 12B | 100 BPM | ||
| Ninety Miles An Hour (Down A Dead End Street) | Hank Snow | B♭ Major | 7 | 6B | 114 BPM | ||
| I Never Picked Cotton | Roy Clark | B Major | 7 | 1B | 95 BPM | ||
| Roll, Truck, Roll | Red Simpson | D Major | 4 | 10B | 112 BPM | ||
| You Gotta Have a License | Tommy Collins | B Major | 2 | 1B | 114 BPM | ||
| Tennessee Stud | Jimmie Driftwood | F Major | 4 | 7B | 95 BPM | ||
| 16 Tons | Merle Travis | E Minor | 3 | 9A | 126 BPM | ||
| Homecoming - Single Version | Tom T. Hall | B Major | 4 | 1B | 123 BPM | ||
| Don’T Go Near the Indians | Rex Allen | G Major | 5 | 9B | 73 BPM | ||
| Belles Of Southern Bell | Del Reeves | B♭ Major | 8 | 6B | 187 BPM | ||
| Ceilito Lindo | Tex Ritter | A Major | 3 | 11B | 111 BPM | ||
| Wolverton Mountain | Claude King | A Major | 4 | 11B | 158 BPM | ||
| The Gallows Pole | Tex Ritter | D♭ Minor | 3 | 12A | 142 BPM | ||
| Jealous Lies | Ray Price & the Cherokee Cowboys | D Major | 2 | 10B | 140 BPM | ||
| Why Baby Why | George Jones | G Major | 5 | 9B | 79 BPM | ||
| I'm Waiting Just For You | Hawkshaw Hawkins | G Major | 2 | 9B | 88 BPM | ||
| Sweet Dreams | Don Gibson | C Major | 5 | 8B | 103 BPM | ||
| Bright Lights And Country Music - Re-Recorded In Stereo | Bill Anderson | A Major | 4 | 11B | 135 BPM | ||
| Mississippi Delta Blues | Jimmie Rodgers | B♭ Major | 3 | 6B | 135 BPM | ||
| Born To Be With You | Sonny James | D Major | 6 | 10B | 147 BPM | ||
| Sea of Heartbreak | Don Gibson | G Major | 6 | 9B | 91 BPM | ||
| Close All the Honky Tonks | Charlie Walker | A Major | 6 | 11B | 158 BPM | ||
| Poor, Broke, Mixed up Mess of a Heart | Tommy Collins | G Major | 4 | 9B | 97 BPM | ||
| A-Sleepin' At the Foot of the Bed | Little Jimmy Dickens | F Major | 3 | 7B | 179 BPM |