"I Used To Be A Silhouette" by Emma Pollock had its release date on September 26, 2025. This song is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. The song is number 10 out of 10 in Begging The Night To Take Hold by Emma Pollock. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of I Used To Be A Silhouette is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of I Used To Be A Silhouette by Emma Pollock is Vivace (lively and fast), since this song has a tempo of 161 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lass of Aughrim | Lisa Knapp, Gerry Diver | C Major | 1 | 8B | 135 BPM | ||
| The Song Forlorn | SunYears, Peter Morén, Madison Cunningham | E♭ Major | 2 | 5B | 100 BPM | ||
| What Do I Do | Josienne Clarke | E♭ Major | 1 | 5B | 100 BPM | ||
| Take Two | Madison Cunningham | D Minor | 2 | 7A | 70 BPM | ||
| If You Were To Ask | SunYears, de clair., Peter Morén | A Minor | 5 | 8A | 119 BPM | ||
| Give It Up, It's Too Much | Joan Shelley | F Major | 2 | 7B | 98 BPM | ||
| Align | Ailbhe Reddy | B♭ Major | 7 | 6B | 139 BPM | ||
| Lughnasa (feat. Serafina Steer) | Patrick Wolf, Serafina Steer | B Minor | 3 | 10A | 170 BPM | ||
| Winter's Empty Pages | Jesse Sykes & The Sweet Hereafter | B♭ Major | 4 | 6B | 114 BPM | ||
| Beautiful Ruins | Emma Swift | G Major | 3 | 9B | 98 BPM | ||
| Field Guide to Wild Life | Joan Shelley | F Major | 2 | 7B | 98 BPM | ||
| Wild | Winterpills | F Major | 3 | 7B | 142 BPM | ||
| For When You Can't Sleep | Joan Shelley | F Major | 2 | 7B | 98 BPM | ||
| Tomboy Gold | Neko Case | D Major | 9 | 10B | 100 BPM | ||
| Battle Lines | The Besnard Lakes | B Major | 4 | 1B | 115 BPM | ||
| 20 Days of Summer | Marta Del Grandi | B♭ Major | 7 | 6B | 139 BPM | ||
| After the Solstice | Clémentine March | B♭ Major | 7 | 6B | 139 BPM | ||
| For me | EERA | C Major | 7 | 8B | 116 BPM | ||
| Acid Test | Emma Pollock | D Major | 7 | 10B | 140 BPM | ||
| You Have One New Message | Jens Lekman, Matilda Sargren | A Major | 2 | 11B | 154 BPM | ||
| The Humming | Anna Tivel | A Major | 1 | 11B | 79 BPM | ||
| Story's End | Maria Taylor | B♭ Major | 7 | 6B | 139 BPM | ||
| Cons and Clowns | Courtney Marie Andrews | B♭ Major | 7 | 6B | 139 BPM | ||
| Allowed to Be | Constant Smiles | F Minor | 3 | 4A | 135 BPM | ||
| Strange Love | Ratboys | B♭ Major | 7 | 6B | 139 BPM |