"Come, My Way, My Truth, My Life" by Ralph Vaughan Williams, George Herbert had its release date on May 1, 2012. With This song being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists's "Journeysongs Third Edition: Volume 22" album is number 2 out of 26. On top of that, United States appears to be the country where this track was created. Come, My Way, My Truth, My Life is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Come, My Way, My Truth, My Life by Ralph Vaughan Williams, George Herbert to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
| Copland: Appalachian Spring: VII. Doppio movimento (Variations on a Shaker Hymn - Simple Gifts) | Aaron Copland, Aurora Orchestra, Nicholas Collon | D♭ Major | 1 | 3B | 82 BPM | ||
| Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Sabine Meyer, Hans Vonk, Staatskapelle Dresden | D Major | 0 | 10B | 93 BPM | ||
| Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester | E♭ Major | 1 | 5B | 113 BPM | ||
| 2nd Movement: Largo | London Philharmonic Orchestra | D♭ Major | 0 | 3B | 74 BPM | ||
| Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
| Florida Suite: IV. At Night | Frederick Delius, Ulster Orchestra, Vernon Handley | F♯ Minor | 0 | 11A | 68 BPM | ||
| Where the Rainbow Ends Suite (version for orchestra): No. 1a Rainbow Land | Roger Quilter, Slovak Radio Symphony Orchestra, Adrian Leaper | A Major | 0 | 11B | 69 BPM | ||
| An English Suite: VI. Air | Hubert Parry, London Symphony Orchestra, Sir Adrian Boult | G Major | 0 | 9B | 91 BPM | ||
| Piano Concerto No. 2 Op. 102 in F Major: II. Andante | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Minor | 0 | 5A | 78 BPM | ||
| Scheherezade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra | G Major | 1 | 9B | 92 BPM | ||
| Black Swan: Black Swan (after Brahms' 6 Piano Pieces, Op. 118: No. 2, Intermezzo in A Major) [After Brahms' 6 Piano Pieces, Op. 118, No. 2. Intermezzo in A Major] | Bright Sheng, Seattle Symphony Orchestra, Gerard Schwarz | G Major | 3 | 9B | 80 BPM | ||
| Crown Imperial | William Walton, English Northern Philharmonia, Paul Daniel | C Major | 3 | 8B | 116 BPM | ||
| Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, The Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
| Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung | F Major | 0 | 7B | 82 BPM | ||
| Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
| Phantasy Quintet: III. Alla Sarabanda: Lento | Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet | E♭ Minor | 10 | 2A | 123 BPM | ||
| Fauré: Pavane, Op. 50 (Instrumental Version) | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
| Dolly Suite, Op. 56: I. Berceuse | Gabriel Fauré, Katia Labèque, Marielle Labèque | E Major | 0 | 12B | 63 BPM | ||
| Prayer of St. Gregory, Op. 62b | Alan Hovhaness, Charles Butler, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 92 BPM | ||
| Song for Athene | John Tavener, Tenebrae | B♭ Major | 0 | 6B | 140 BPM | ||
| The Armed Man - A Mass For Peace: XII. Benedictus | Karl Jenkins, London Philharmonic Orchestra, National Youth Choir Of Great Britain, Mike Brewer, Guy Johnston | D Major | 0 | 10B | 79 BPM | ||
| Spring Fire, GP 153: IV. Woodland Love. Romance | Vernon Handley, Royal Philharmonic Orchestra | F♯ Minor | 0 | 11A | 68 BPM | ||
| In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
| Pavane pour une infante défunte | Maurice Ravel, Richard Sebring, Boston Pops Orchestra, John Williams | G Major | 1 | 9B | 93 BPM |