On January 9, 1939, the song "Que Nunca Me Falte" was released by Ricardo Tanturi, Enrique Campos. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Que Nunca Me Falte's duration is considered a little bit shorter than the average duration of a typical track. The song is number 56 out of 77 in El Sueño by Ricardo Tanturi. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Que Nunca Me Falte's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Que Nunca Me Falte by Ricardo Tanturi, Enrique Campos is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Calla bandoneon | Ricardo Tanturi, Enrique Campos | B Minor | 3 | 10A | 125 BPM | ||
| Indiferencia | Pablo Valle Sexteto | E♭ Major | 2 | 5B | 131 BPM | ||
| Nada Más | La Auténtica Milonguera | C Minor | 6 | 5A | 147 BPM | ||
| En el Lago Azul | Hyperion Ensemble, Hernan Godoy | F Major | 3 | 7B | 121 BPM | ||
| Buscandote | Orquesta Typica Osvaldo Fresedo, Ricardo Ruiz | D Major | 1 | 10B | 122 BPM | ||
| Patio Porteño | Héctor Varela y su Orquesta Típica | F Minor | 2 | 4A | 103 BPM | ||
| Yapeyú | Pablo Valle Sexteto | G Major | 4 | 9B | 132 BPM | ||
| Ahora No Me Conoces | Angel D'Agostino Y Su Orquesta Típica | A Minor | 1 | 8A | 125 BPM | ||
| Dime Mi Amor | Juan D'Arienzo and his Orchestra, Héctor Mauré | A Minor | 4 | 8A | 138 BPM | ||
| Sin Sabor | Orquesta Social Tango | G Major | 4 | 9B | 135 BPM | ||
| Mas Alla | Osvaldo Fresedo y su Orquesta Típica | D♭ Major | 3 | 3B | 133 BPM | ||
| Labios Rojos | Enrique Campos | G Major | 5 | 9B | 128 BPM | ||
| Golgota | Rodolfo Biagi, Orquesta Rodolfo Biagi | G Major | 2 | 9B | 128 BPM | ||
| Estrella | Orquesta Rodolfo Biagi, Hugo Duval, Marcelino Hernandez, Roberto Cassinelli | A Minor | 3 | 8A | 120 BPM | ||
| Trenzas | Orquesta Típica Sans Souci, Emiliano Castignola | G Minor | 3 | 6A | 127 BPM | ||
| Vamos!... | Carlos Di Sarli y su Orquesta Típica | F Major | 4 | 7B | 118 BPM | ||
| Dos palabras por favor | Ricardo Tanturi y Enrique Campos | A♭ Major | 3 | 4B | 127 BPM | ||
| Loca | La Juan D'Arienzo | E Minor | 3 | 9A | 137 BPM | ||
| Felicia | La Juan D'Arienzo | D Minor | 4 | 7A | 140 BPM | ||
| No Nos Veremos Mas | Lucio Demare, Raúl Berón | F♯ Minor | 2 | 11A | 121 BPM | ||
| Tormenta en el alma - Remastered | Francisco Canaro Y Su Orquesta | D Minor | 4 | 7A | 100 BPM | ||
| Todo Te Nombra | Pablo Valle Sexteto | B♭ Major | 2 | 6B | 127 BPM | ||
| Lejos de Buenos Aires | Miguel Caló, Raúl Berón | G Major | 3 | 9B | 123 BPM | ||
| El Viejo Vals | Hyperion Ensemble, Ruben Peloni, Hernan Godoy | D Minor | 6 | 7A | 105 BPM | ||
| La Tupungatina | Osvaldo Pugliese y su Orquesta | B Major | 2 | 1B | 119 BPM |