Walter S. Hartley, Paul Cohen, Richard Auldon Clark, Lois Anderson's 'Lyric Suite: I. Prelude' had a release date set for June 7, 2011. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Lyric Suite: I. Prelude's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 14 in Copland: Quiet City by Christopher Brellochs. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Lyric Suite: I. Prelude is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Lyric Suite: I. Prelude by Walter S. Hartley, Paul Cohen, Richard Auldon Clark, Lois Anderson is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dublin Dances: I. Brian Boru's March | Jan van der Roost, Artie Henry Middle School Honors Band, Robert T. Herrings, III | D Minor | 2 | 7A | 73 BPM | ||
| The Wind in the Willows: III. Mister Toad | Johan de Meij, Danish Concert Band | F Major | 1 | 7B | 77 BPM | ||
| Saxophone Sonata in C-Sharp Major: II. Andante | Fernande Decruck, Claude Delangle, Odile Delangle | E♭ Minor | 0 | 2A | 80 BPM | ||
| 4 Scottish Dances, Op. 59: No. 4, Con brio | Malcolm Arnold, Dallas Wind Symphony, Jerry Junkin | D Major | 3 | 10B | 136 BPM | ||
| English Dances, Set 1, Op. 27 (Arr M. Johnstone): I. Andantino | Malcolm Arnold, Dallas Wind Symphony, Jerry Junkin | C Minor | 3 | 5A | 100 BPM | ||
| Romeo & Juliet, Op. 64 (Highlights Arr. L. Karlin for Trombone Ensemble): Dance of the Knights | Sergei Prokofiev, Trombone Unit Hannover, Yuval Wolfson, Martin Hennecke, Dominik Minsch, Johann Walter | F Major | 0 | 7B | 88 BPM | ||
| The Merry King | Percy Grainger, Dallas Wind Symphony, Jerry Junkin | E♭ Major | 2 | 5B | 101 BPM | ||
| Czardas | The Philip Jones Brass Ensemble, Ifor James | F Minor | 0 | 4A | 74 BPM | ||
| Euphonium Concerto: Pt. I: Dance Zeibekikos | Philip Wilby, David Thornton, Black Dyke Band, Nicholas Childs | F Minor | 2 | 4A | 133 BPM | ||
| Galliard Battaglia | Canadian Brass | F Major | 3 | 7B | 89 BPM | ||
| On the Beach at Rota | Gloria Brass | B♭ Major | 4 | 6B | 79 BPM | ||
| Characteristic Study No. 1 in C Major | Jean-Baptiste Arban, Thomas Hooten | F Major | 3 | 7B | 97 BPM | ||
| Fantasie Sur Un Théme Original | Jules Demersseman, Wonki Lee, Esther Lim | B♭ Major | 1 | 6B | 126 BPM | ||
| A Songe Called Trumpetts | Robert Parsons, The Royal Wind Music, Paul Leenhouts | F♯ Major | 0 | 2B | 142 BPM | ||
| Blazhevich: Duet No. 1: II | Vladislav Blazhevich, Christian Lindberg, Joseph Alessi | C Major | 0 | 8B | 87 BPM | ||
| Sonata for Trumpet and Piano: 2. Allegretto | Eric Ewazen, Joseph Foley, Bonnie Anderson | F♯ Major | 0 | 2B | 69 BPM | ||
| Purcell: Funeral Sentences for the Death of Queen Mary, Z. 27: VII. March | Henry Purcell, Alison Balsom, Balsom Ensemble | E Minor | 1 | 9A | 101 BPM | ||
| Woodwind Quartet: Allegro giocoso | Walter S. Hartley, The University of Georgia Woodwind Quartet | D♭ Minor | 0 | 12A | 67 BPM | ||
| Sonate, Op. 168: III. Adagio Allegro moderato | Camille Saint-Saëns, Michel Bettez, Pierre-Richard Aubin | G Minor | 0 | 6A | 68 BPM | ||
| Blind Spot | Epic Euphoniums Project, Gilles Rocha, Michal Worek | B♭ Major | 1 | 6B | 145 BPM | ||
| Duo for Alto Saxophone & PIano | Walter S. Hartley, Scott Turpen, Theresa Bogard | G Major | 1 | 9B | 129 BPM | ||
| Bach: Three-Part Inventions, BWV 787/801: NO. 1 in C, BWV 787 | Johann Sebastian Bach, Joseph Alessi, Christian Lindberg, Ian Bousfield | E Minor | 0 | 9A | 72 BPM | ||
| Concerto for Wind Ensemble: I. Flow | Kevin Day, ASU Wind Ensemble, Jason Caslor | A Minor | 4 | 8A | 106 BPM | ||
| Bassoon Sonata in G Major, Op. 168: II. Allegro scherzando | Camille Saint-Saëns, Christopher Millard, Stephane Lemelin | B Major | 0 | 1B | 71 BPM | ||
| Blazhevich: Duet No. 7 | Vladislav Blazhvich, Joseph Alessi, Ian Bousfield | E♭ Major | 2 | 5B | 163 BPM |