On June 10, 2018, the song "Pa Gada Rasha" was released by Adil Muhammad. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "O Sathi". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Pakistan. Based on our statistics, Pa Gada Rasha's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Pa Gada Rasha by Adil Muhammad having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| पागल मत होवे प्यार में | Asmeena Mewati | B Major | 10 | 1B | 120 BPM | ||
| Ka Lare Bajawar Ta | Bakhtyar Khattak, Shan Yousafzai | B♭ Minor | 9 | 3A | 98 BPM | ||
| Wa Mula Yaw Dam | Rashid Ahmad Khan | G Major | 7 | 9B | 85 BPM | ||
| Kese Bhulungi | Aslam Singer Mewati | F Major | 7 | 7B | 135 BPM | ||
| Majhe Rani Tu Yena Punha | Shiva Mhatre | A♭ Major | 9 | 4B | 125 BPM | ||
| Baba Ompuri Ki Katha, Pt. 1 | Shyam Paliwal, Durga Jasraj | E Minor | 8 | 9A | 148 BPM | ||
| Jeev | Gaman Santhal | F♯ Major | 9 | 2B | 112 BPM | ||
| Bhaiya Lago Hi Bhatar Kaise Kahiyo | Ashish Yadav, Khushi Kakkar | C Major | 9 | 8B | 87 BPM | ||
| Pappa Ni Yad | Gaman Santhal | D Minor | 9 | 7A | 94 BPM | ||
| Samay Male To | Kajal Maheriya | E Minor | 9 | 9A | 81 BPM | ||
| Ganpati Ji Ganesh Nu Manaiye | Santosh Kumar | D♭ Major | 10 | 3B | 90 BPM | ||
| Tora Ke Ek Baar Debau Re | Raushan Rohi, Khushi Kakkar | C Minor | 10 | 5A | 89 BPM | ||
| Pagari Ke Laaj Rakhiha | Golu Raja | A♭ Minor | 9 | 1A | 170 BPM | ||
| Vrindawan Mein Hukum Chale Barsane Wari Ka | Upasana Mehta | D♭ Major | 9 | 3B | 82 BPM | ||
| Milte Yaar Rangdar Ghamand Bho Gelo | Krishna Bedardi | F♯ Major | 9 | 2B | 130 BPM | ||
| Bajrang Bali Bajrang | Dukalu Yadav | B Minor | 9 | 10A | 75 BPM | ||
| Tari Mari Bhaibandhi | Viram Bharwad, Hetal Bharwad | A Major | 9 | 11B | 93 BPM | ||
| Pyaar Jo Hath Milai | Khushi Baloch, Shaman Ali Mirali | D♭ Major | 9 | 3B | 168 BPM | ||
| Patai Pa Paani Jhaar Ke Ja | Pramod Premi Yadav | A Major | 10 | 11B | 150 BPM | ||
| Cut Lag Wal Dadi M | Manish Fagna | E♭ Major | 9 | 5B | 110 BPM | ||
| Pyar Ko Ijhar Mewati | Ansar Dahangal | F♯ Major | 9 | 2B | 100 BPM | ||
| Vajib Godholiya Tilakpuri Ki Mohabbat | Aslam Jatoliya, Aslam Singer Deadwal | G Major | 10 | 9B | 105 BPM | ||
| Shunday De Sre Ka | Adil Muhammad | C Major | 9 | 8B | 114 BPM | ||
| Dalab Rang Holiya Me Tohra | Pawan Singh | B Minor | 10 | 10A | 82 BPM | ||
| Wo Bhula Kar Hume Bewafa Ho Gaye | Arshad Kamli | E♭ Major | 9 | 5B | 113 BPM |