"Paranormal" by Mark Richardson had its release date on April 5, 2024. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 4 in the song's album "Supernatural". In this album, this song's track order is #4. Based on our statistics, Paranormal's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Paranormal by Mark Richardson having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Music Makers, Op. 69: III. With wonderful deathless ditties | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
| Verdi: Macbeth, Act 1: Giorno non vidi mai sì fiero e bello! (Macbeth/Banco/Streghe) | Giuseppe Verdi, Sherrill Milnes, Riccardo Muti, New Philharmonia Orchestra | C Major | 3 | 8B | 79 BPM | ||
| Khachaturian: Suite No. 1 from Spartacus: III. Variation of Aegina - Bacchanalia | Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra | E♭ Minor | 2 | 2A | 129 BPM | ||
| Radio Wave | Mark Richardson | B Minor | 9 | 10A | 140 BPM | ||
| 23. Brightly dawns our wedding day | Arthur Sullivan, Valerie Masterson, Peggy Ann Jones, Colin Wright, Michael Rayner, Royal Philharmonic Orchestra, Royston Nash | F Major | 2 | 7B | 71 BPM | ||
| H.M.S. Pinafore, Act I: A Maiden Fair to See | Gilbert & Sullivan Society of Houston | C Major | 3 | 8B | 129 BPM | ||
| Proteus | Mark Richardson | D♭ Major | 9 | 3B | 115 BPM | ||
| Novello: King's Rhapsody, Act 1: "If This Were Love" - "Farewell, My Little Mountain Dove" (Serenader, Countess Vera) | Ivor Novello, Mike Sammes Singers, The New World Show Orchestra, Jan Cervenka, Andrew Gold, Pamela Woolmore | A Major | 1 | 11B | 61 BPM | ||
| H.M.S. Pinafore / Act 1: Now give three cheers...I am the monarch of the sea | Arthur Sullivan, The D'Oyly Carte Opera Company, Jeffrey Skitch, John Reed, Joyce Wright, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | F Major | 2 | 7B | 93 BPM | ||
| Requiem, Op. 9: Pie Jesu | Maurice Duruflé, Okka von der Damerau, Ivan Repušić, Munich Radio Orchestra, Uladzimir Sinkevich | A♭ Major | 1 | 4B | 82 BPM | ||
| Lakmé., Act Two: Où va la jeune indoue (Lakmé) | Philippe Gille, Edmond Gondinet, Léo Delibes, Orchestre Du Theatre National De L'opera-comique, Mady Mesple, Alain Lombard | G Major | 1 | 9B | 122 BPM | ||
| La Giaconda, Act 2, The Rosary: Sailors' Song "Ho! He! Ho! He!" (Sailors, Boys, Barnaba, Pilot) - "Recitative and Barcarolle "Pescator, affonda l'esca" [Barnaba, Pilot, Sailors, Boys] | Amilcare Ponchielli, Angelo Nardinocchi, Massimiliano Travagliati, Coro di Voci Bianche del Teatro “Giuseppe Verdi” di Salerno, Silvana Noschese, Coro del Teatro dell'Opera di Salerno, Luigi Petrozziello, Orchestra Filarmonica Salernitana “Giuseppe Verdi”, Yishai Steckler | F Major | 2 | 7B | 99 BPM | ||
| Sullivan: The Pirates of Penzance, Act 1: Recitative. "What Shall I Do?" - Chorus of Girls. "Climbing Over Rocky Mountain" (Frederic, Edith, Kate, Chorus) | Arthur Sullivan, Sir Malcolm Sargent, Glyndebourne Festival Chorus, Heather Harper, Marjorie Thomas, Richard Lewis, Pro Arte Orchestra | A Major | 1 | 11B | 61 BPM | ||
| Stabat Mater: 10. Amen | Gioachino Rossini, London Symphony Chorus, London Symphony Orchestra, István Kertész | G Major | 4 | 9B | 69 BPM | ||
| Thaïs / Acte Un: Voici le pain | Jules Massenet, Olivier Schock, Bernard Mansencal, Bruno Moga, Loïc Cassin, José Luis Victoria, Stefano Palatchi, Orchestre National Bordeaux Aquitaine, Yves Abel | D Major | 2 | 10B | 94 BPM | ||
| H.M.S. Pinafore, Act I: Sir Joseph's Barge Is Seen | Gilbert & Sullivan Society of Houston | E Minor | 2 | 9A | 102 BPM | ||
| Peter and the Wolf, Op. 67: He Ran Home, Got a Strong Rope and Climbed up the High Stone Wall | Peter Ustinov, Herbert von Karajan, Philharmonia Orchestra | C Major | 2 | 8B | 130 BPM | ||
| Der Freischütz, Op. 77, J. 277: Jägerchor | Carl Maria von Weber, Radio Kamer Filharmonie, Groot Omroepkoor, Michael Schønwandt, Michael Gläser | D♭ Major | 2 | 3B | 123 BPM | ||
| Suor Angelica: Senza mamma, o bimbo | Giacomo Puccini, Mirella Freni, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | F Major | 3 | 7B | 75 BPM | ||
| Elijah, Op. 70, MWV A25 / Part 1: "Thanks be to God!" | Felix Mendelssohn, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | F♯ Minor | 0 | 11A | 79 BPM | ||
| Berlioz: Béatrice et Bénédict, H 138, Act 2: "Le vin de Syracuse" (Somarone, Chœur) | Hector Berlioz, John Nelson, Chœur de l'Opéra de Lyon, Gabriel Bacquier, Orchestre de l'Opéra de Lyon | G Major | 2 | 9B | 174 BPM | ||
| Turandot / Act 3: "Tu che di gel sei cinta! - extract | Giacomo Puccini, Montserrat Caballé, Luciano Pavarotti, Piero de Palma, Pier Francesco Poli, Tom Krause, Nicolai Ghiaurov, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | E♭ Minor | 1 | 2A | 79 BPM | ||
| The Poisoned Kiss, Act I: North wind, south wind (Dipsacus, Hob, Gob, Lob, Tenor, Basses) | Ralph Vaughan Williams, Richard Hickox, BBC National Orchestra Of Wales, Neal Davies, John Graham-Hall, Richard Suart, Mark Richardson, Adrian Partington Singers | G Major | 2 | 9B | 138 BPM | ||
| Candide, Act I: Glitter and Be Gay | Leonard Bernstein, Simone Kermes, Warsaw Chamber Opera Orchestra, Julien Salemkour | A Major | 1 | 11B | 61 BPM | ||
| The Dream of Gerontius, Op. 38, Pt.2: Dispossessed, aside thrust | Edward Elgar, Hallé, Sir Mark Elder | C Minor | 2 | 5A | 116 BPM |