"Music for Ballet Class, Series 4: Adage 2" by Massimiliano Greco had its release date on April 1, 2015. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Music for Ballet Class, Series 4: Adage 2's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Massimiliano Greco's "Greco: Music for Ballet Class, Series 4" album is number 13 out of 46. On top of that, Italy appears to be the country where this track was created. Music for Ballet Class, Series 4: Adage 2 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Music for Ballet Class, Series 4: Adage 2 by Massimiliano Greco to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Adagio 2 3x4 | Jorge L. Martínez | G Major | 4 | 9B | 140 BPM | ||
| Battements frappés (J. Strauss II Op.214) | Youngsin Sarah Choi | F Major | 2 | 7B | 90 BPM | ||
| Warm-up: French Waltz 1 | Gill Civil | G Minor | 1 | 6A | 118 BPM | ||
| Pliés 1: Feed The Birds | Ian Howells Music | C Major | 1 | 8B | 115 BPM | ||
| Battement Tendu 3/4 (Waltz Op.39 n°15) | The Ballet Pianist | A♭ Major | 2 | 4B | 119 BPM | ||
| Battement Fondu (Habanera) | Josu Gallastegui | D Major | 1 | 10B | 80 BPM | ||
| Eau De Colonia | Cecy Landia | A♭ Major | 0 | 4B | 132 BPM | ||
| Dégagés battements jetés | Xavier-Edouard Horemans | F Major | 0 | 7B | 109 BPM | ||
| Battement fondu 1 3x4 | Jorge L. Martínez | F Major | 2 | 7B | 158 BPM | ||
| Battements Tendus I | 지하영 | A♭ Major | 3 | 4B | 122 BPM | ||
| Barre. Demi-pliés | Igor Ivanov | G Major | 0 | 9B | 69 BPM | ||
| Battements tendus Ⅱ 2/4 (The Sleeping Beauty) | Eun S. Kim | G Major | 2 | 9B | 134 BPM | ||
| Waltz (From "Ruses D’Amours", Scene 4) [Pliés, 3/4: 16 X 8] | Normand Babin | B Minor | 1 | 10A | 107 BPM | ||
| Music for Ballet Class, Series 2: Port de brás | Massimiliano Greco | D Major | 2 | 10B | 130 BPM | ||
| Battements Développés | SuYeon Park | E♭ Major | 2 | 5B | 59 BPM | ||
| RDJ 3/4 - Songs without words, Book 1, Op. 19b: No. 2, Andante espressivo | Felix Mendelssohn, Erik Geddis | A♭ Major | 0 | 4B | 94 BPM | ||
| Jeté | Igor Zapravdin | F Major | 2 | 7B | 90 BPM | ||
| Pliés 3/4 (The Sleeping Beauty) | Eun S. Kim | C Major | 1 | 8B | 111 BPM | ||
| Piké Turns | Adrienne Ramm | G Major | 4 | 9B | 170 BPM | ||
| Piano Quartet Op.47-3 (Adage4) | Miwa Hoshi | C Major | 3 | 8B | 102 BPM | ||
| Plie 2 | 이예정 | G Major | 1 | 9B | 70 BPM | ||
| Grand Allegro Ⅰ 3/4 (The Nutcracker) | Eun S. Kim | B♭ Major | 3 | 6B | 180 BPM | ||
| Demi Plié, Grand Plie, Port De Bras. Metre 4/4. | Vadim Proshich, MetodoVadim | D Major | 4 | 10B | 136 BPM | ||
| Pliés, Lieder ohne Worte, Op. 53, Nr. 30 in A- Major | Felix Mendelssohn, Konstantin Mortensen | A Major | 1 | 11B | 82 BPM | ||
| Music for Ballet Class, Series 2: Stretching | Massimiliano Greco | D Major | 2 | 10B | 130 BPM |