On July 29, 2016, the song "Surrender" was released by Aditya Prakash Ensemble. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Aditya Prakash Ensemble's "Mara" album is number 17 out of 18. On top of that, Turks and Caicos Islands appears to be the country where this track was created. Based on our statistics, Surrender's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Surrender by Aditya Prakash Ensemble to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| our mother is our daughter is our mother | Ganavya | A Major | 3 | 11B | 134 BPM | ||
| Maste Mange Bar | Qais Essar | D♭ Minor | 5 | 12A | 130 BPM | ||
| Sufi Bhakti | Debashish Bhattacharya | D Minor | 3 | 7A | 146 BPM | ||
| Adana | Buddhadev DasGupta | F Major | 4 | 7B | 115 BPM | ||
| Pakistani | Pejman Tadayon | D Major | 8 | 10B | 100 BPM | ||
| Raghupathi Raghava Rajaram | U. Srinivas | A Minor | 3 | 8A | 159 BPM | ||
| Fantasy | Ali Akbar Khan | C Major | 6 | 8B | 177 BPM | ||
| Boat to Nowhere | Anoushka Shankar | D Major | 4 | 10B | 128 BPM | ||
| Shri Krishna Govind - Instrumental | Acoustic Trips | D Major | 4 | 10B | 92 BPM | ||
| Frisson | Mukta | D Major | 8 | 10B | 88 BPM | ||
| Ilahi Man Namedanam | Qais Essar | A Minor | 2 | 8A | 92 BPM | ||
| Sivam Veenai - Instrumental | RANJANIDEVI SARAVANAN, MANU PRASAD | G Major | 9 | 9B | 170 BPM | ||
| Dorbeha | Patrick Sebag | G Major | 9 | 9B | 170 BPM | ||
| Becoming | Alam Khan | D♭ Major | 5 | 3B | 106 BPM | ||
| Mount Kharak | Tibetans in Ladakh | D Major | 4 | 10B | 138 BPM | ||
| Soothing Essence - Raag Bihag | Suparna | A Major | 7 | 11B | 139 BPM | ||
| Mannde Ji Mala | Maati Baani, Vela Ghana Bhil, Nirali Kartik | G Major | 9 | 9B | 170 BPM | ||
| Upanishads | Mantra Kalm | C Minor | 1 | 5A | 88 BPM | ||
| Krishnamurti | Banaras Baba & Kolkata Kid | D♭ Major | 7 | 3B | 143 BPM | ||
| Riftwalker | Aneesh, Rohan Prasanna, Krishna Kishor, Julian Reynoso | D Minor | 7 | 7A | 85 BPM | ||
| Raag Nat Bhairav - Gat in Jhaptaal | Mayukh Gangopadhyay | G Major | 9 | 9B | 170 BPM | ||
| Shri Mahakali Avahanam | Anandita Basu, Rhitom Sarkar, Bappa Chatterjee, Joy Nandi, Soumojyoti Ghosh | B♭ Minor | 6 | 3A | 170 BPM | ||
| Laughter | Pawan Krishna | E Major | 3 | 12B | 112 BPM | ||
| Gyagar Amey Urgyan | Dashugs, Da Shugs | D Minor | 6 | 7A | 121 BPM | ||
| Raghupati | Niladri Kumar | G Major | 3 | 9B | 82 BPM |