"La Destruccion" by Formas Correctas had its release date on February 2, 2023. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. La Destruccion's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Formas Correctas's "Lugares Especiales" album is number 12 out of 18. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, La Destruccion's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of La Destruccion by Formas Correctas to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tecnologia Punta | Formas Correctas | G Minor | 2 | 6A | 130 BPM | ||
| Resistencia | Eterna Oscuridad | A Minor | 3 | 8A | 80 BPM | ||
| Glued to You | kensy Mansk | D Major | 0 | 10B | 166 BPM | ||
| A Lo Que Va | Grandes Tardes | B Major | 1 | 1B | 95 BPM | ||
| A Corridor Without End | Akira Yamaoka | E Minor | 5 | 9A | 170 BPM | ||
| Lamentation | Perfect, so dystopian | C Minor | 4 | 5A | 140 BPM | ||
| Sacred Heart Healing with Ambient Forest Frequencies | Connectionist | E Minor | 5 | 9A | 170 BPM | ||
| Tan Diferentes | Formas Correctas | G Minor | 2 | 6A | 130 BPM | ||
| Bounce Melody | Bounce Melody | D Major | 0 | 10B | 120 BPM | ||
| Trabajando Juntos | Hasta El Final | F Major | 1 | 7B | 85 BPM | ||
| Sonidos Suaves Para El Confort De Los Perros | Música ligera de la mañana, Tranquilizante para Perros, Susurrador de perros | F Minor | 2 | 4A | 188 BPM | ||
| Up no More | Ruinchild | F Minor | 1 | 4A | 75 BPM | ||
| Mystery of the Night | Alina Stricnova, Joshua Fomidth | G Minor | 1 | 6A | 179 BPM | ||
| Sonata Sostenuto | Jovan Milic | A Minor | 0 | 8A | 68 BPM | ||
| Foreplay | Fardi Salmi | D Major | 3 | 10B | 192 BPM | ||
| Antenna to the Void | CaroSoleil | E Minor | 5 | 9A | 170 BPM | ||
| All in the Wind | Sibille Crawford, Neon Lilith, Marieclaude Debussy | F♯ Major | 0 | 2B | 74 BPM | ||
| Trampas | Formas Correctas | F♯ Minor | 1 | 11A | 120 BPM | ||
| Midland | Farid Puber | B Major | 2 | 1B | 85 BPM | ||
| Time to Forgive | Moritz Bintig, Joachim Tospann | E Major | 3 | 12B | 76 BPM | ||
| No Afecta | Falsas Alarmas | B♭ Minor | 1 | 3A | 100 BPM | ||
| Terribles Conspiraciones | Mutua Admiración | A Minor | 1 | 8A | 73 BPM | ||
| Lush Grooves | Alberto Moggi, Giuseppe Brittanni, Metasymphony, Bobby Mourning | D Minor | 3 | 7A | 89 BPM | ||
| Future Is Ahead | Jonathan Mellon, Jonathan Mell | G Major | 3 | 9B | 110 BPM | ||
| Ultimas Reuniones | Enigma Hermético | B Minor | 1 | 10A | 136 BPM |