Arın Aykut's ' "Father and Daughters" was released on its scheduled release date, March 1, 2024. With This song being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Arın Aykut's "Life After Man (Original Motion Picture Soundtrack)" album is number 8 out of 27. Father and Daughters is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Father and Daughters by Arın Aykut to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Deliverance In Red (From "Eko") | Mujeeb Majeed | G Minor | 4 | 6A | 92 BPM | ||
| Roper's Legacy | Federico Jusid | C Minor | 3 | 5A | 85 BPM | ||
| Cataracta | CVDENCE | D Minor | 2 | 7A | 140 BPM | ||
| Desemociones | Falsas Alarmas | F♯ Major | 0 | 2B | 105 BPM | ||
| Umanoide | Non Binary | D♭ Major | 3 | 3B | 100 BPM | ||
| Trouble on the Horizon | Ilan Eshkeri | B♭ Major | 5 | 6B | 94 BPM | ||
| Deep Walk | Farid Puber | B Minor | 5 | 10A | 125 BPM | ||
| Pendragon | James Paget | B♭ Minor | 7 | 3A | 111 BPM | ||
| Le Souffle de Vie | Germain Izydorczyk | C Minor | 3 | 5A | 85 BPM | ||
| Celestia - Cohérence cardiaque | Athanata | D Minor | 4 | 7A | 200 BPM | ||
| Peace | DEVOCIONAL ADORAÇÃO, ChillØut, David Souza, Glorify | C Minor | 3 | 5A | 85 BPM | ||
| I Wanted To Talk To Her | Hannes De Maeyer, Ruben de Gheselle | G Major | 1 | 9B | 120 BPM | ||
| The Discovery | Daniel Pemberton | A♭ Major | 6 | 4B | 90 BPM | ||
| They're Coming | Arın Aykut | C Minor | 4 | 5A | 75 BPM | ||
| Shadows in the Alleys | Calibro 35 | D Major | 8 | 10B | 100 BPM | ||
| L’Antica Pesa | Paolo Buonvino | C Minor | 3 | 5A | 85 BPM | ||
| Versailles | Delphine Malaussena | A♭ Major | 3 | 4B | 83 BPM | ||
| Purple | Keys Piano | C Minor | 3 | 5A | 85 BPM | ||
| Siempre Toma Tiempo | Hasta El Final | D♭ Major | 2 | 3B | 160 BPM | ||
| I'll Never Let Go | Hampus Naeselius | G Minor | 3 | 6A | 86 BPM | ||
| Creatures | Tofik Mikayilzade, MirBala | B Minor | 3 | 10A | 135 BPM | ||
| Dominate Dominate | Xhosa Zediah | B♭ Major | 0 | 6B | 220 BPM | ||
| Rockwell's Diary 3 | Gareth Coker | C Minor | 3 | 5A | 85 BPM | ||
| Zero Balance | Federico Jusid | C Minor | 3 | 5A | 85 BPM | ||
| Until the Screams | Hallowtide | C Minor | 3 | 5A | 85 BPM |