Arthur Fiedler's ' "Funeral March of a Marionette" was released on its scheduled release date, October 11, 1994. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 100 Fiedler Favorites, so we believe that "Funeral March of a Marionette" is a single. In terms of popularity, Funeral March of a Marionette is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Funeral March of a Marionette by Arthur Fiedler is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Act I - Dance Of The Soviet Sailors: Apple | St. Petersburg State Symphony Orchestra, Reinhold Glière | D Minor | 3 | 7A | 79 BPM | ||
| Der fliegende Holländer: Overtüre | Richard Wagner, Slovak Philharmonic Orchestra, Michael Halasz | A Minor | 2 | 8A | 85 BPM | ||
| Jazz Suite No. 2: III. Dance 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 3 | 11B | 153 BPM | ||
| Ballet Suite No. 1 (arr. L. Atovmyan): Dance (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | E Minor | 3 | 9A | 82 BPM | ||
| Aida: Act II: Grand March | Arthur Fiedler | D Major | 2 | 10B | 111 BPM | ||
| Spartacus: Variations of Aegina and Bacchanalia | Aram Khachaturian, Wiener Philharmoniker | C Major | 5 | 8B | 74 BPM | ||
| Danse Macabre | Camille Saint-Saëns, Arthur Fiedler | C Minor | 3 | 5A | 113 BPM | ||
| The Star and Stripes Forever | US Air Force Concert Band, Ceremonial Brass & Singing Sergeants | A♭ Major | 5 | 4B | 116 BPM | ||
| Der fliegende Hollander (The Flying Dutchman): Ouverture | Richard Wagner, Ingrid Haubold, Jörg Hering, Erich Knodt, Alfred Muff, Marga Schiml, Peter Seiffert, Budapest Radio Chorus, Austrian Radio Symphony Orchestra, Pinchas Steinberg | D Minor | 1 | 7A | 86 BPM | ||
| Die Walküre, Act III: Feuerzauber (Magic Fire Music) | Richard Wagner, Budapest Symphony Orchestra, György Lehel | A Major | 1 | 11B | 144 BPM | ||
| Il Talismano | Antonio Salieri, Slovak Radio Symphony Orchestra, Michael Dittrich | A Major | 2 | 11B | 122 BPM | ||
| Berlioz- Symphonie Fantastique: Symphonie Fantastique: IV. March to the Scaffold | Hector Berlioz, Budapest Philharmonic Orchestra, Rico Saccani | G Minor | 2 | 6A | 78 BPM | ||
| Symphony No. 25 In G Minor, K. 183, 1st Movement | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | G Minor | 1 | 6A | 155 BPM | ||
| The Planets, Op. 32: VI. Uranus, the Magician | Gustav Holst, Los Angeles Philharmonic, Zubin Mehta | C Major | 3 | 8B | 58 BPM | ||
| Dies Irae | Giuseppe Verdi, Carmen Giannattasio, Veronica Simeoni, Alxander Timchenko, Carlo Colombara, Yuri Temirkanov, St. Petersburg Philharmonic Orchestra | C Minor | 3 | 5A | 80 BPM | ||
| Caucasian Sketches: Suite No. 1, Op. 10: IV. Procession of the Sardar | Mikhail Ippolitov-Ivanov, Ukraine National Symphony Orchestra, Arthur Fagen | A Major | 1 | 11B | 81 BPM | ||
| L'Arlésienne Suite No. 1, Op. 23bis, WD 40: IV. Carillon | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 10 | 4B | 136 BPM | ||
| La Cinquantaine | Jean Gabriel-Marie, Philharmonica Orchestra, Sir Charles Groves | A Minor | 1 | 8A | 80 BPM | ||
| Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
| Farandole | Georges Bizet, Arthur Fiedler, Boston Pops Orchestra | D Major | 6 | 10B | 101 BPM | ||
| Symphony No. 1 in E Minor: III. Juba Dance | Florence Beatrice Price, Fort Smith Symphony, John Jeter | F Major | 2 | 7B | 111 BPM | ||
| Carmen, Opera Suite No. 1: II. Les Dragons d'Alcala, Act 2 | London Festival Orchestra, Alfred Scholz | G Major | 0 | 9B | 120 BPM | ||
| Strauss: Radetzky March, Op. 228 | Johann Strauss I, Hallé, Bramwell Tovey | A Major | 4 | 11B | 122 BPM | ||
| Symphony In C Major: IV. Allegro Vivace | New Zealand Symphony Orchestra, Georges Bizet | G Major | 1 | 9B | 146 BPM | ||
| Don Giovanni, K.527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Robert Lloyd, Thomas Allen, Simone Alaimo, Ambrosian Opera Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 3 | 6B | 78 BPM |