"Psalm 150: O Praise God In His Holiness (Talbot (Sung In Procession Out Of The Nave))" by St. Thomas Choir Of Men And Boys, Gerre Hancock had its release date on October 20, 1992. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Psalm 150: O Praise God In His Holiness (Talbot (Sung In Procession Out Of The Nave))'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "St. Thomas Choir Of Men & Boys - "O God My Heart Is Ready" - Selected Hymns & Psalms". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United States. Psalm 150: O Praise God In His Holiness (Talbot (Sung In Procession Out Of The Nave)) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Psalm 150: O Praise God In His Holiness (Talbot (Sung In Procession Out Of The Nave)) by St. Thomas Choir Of Men And Boys, Gerre Hancock having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Psalm 25 "Unto Thee, O Lord, Will I Lift Up My Soul" | John Goss, Rochester Cathedral Choir, Roger Sayer, Barry Ferguson | C Major | 1 | 8B | 79 BPM | ||
| O Purest Of Creatures | Unknown, Choir Of St Bede's RC Church, Jarrow, Gerard McNally | E♭ Major | 3 | 5B | 78 BPM | ||
| Baptism of Christ | Peter Hallock, Tim Mackey, St. Mark's Cathedral Choir, J. Melvin Butler | D Minor | 0 | 7A | 146 BPM | ||
| To serve | Gerre Hancock, Jeremy Filsell, Saint Thomas Choir of Men & Boys, Fifth Avenue, New York, Saint Thomas Brass | A♭ Minor | 2 | 1A | 79 BPM | ||
| Lord, I Stretch My Hands To You | Christelijk Mannenkoor Soli Deo Gloria Urk, Jaap Kramer | A♭ Major | 1 | 4B | 85 BPM | ||
| Mass for Four Voices: VI. Agnus Dei | William Byrd, Saint Thomas Choir of Men & Boys, Fifth Avenue, New York, Jeremy Filsell, Gerre Hancock | E♭ Major | 2 | 5B | 85 BPM | ||
| My God, How Endless | Lyle Stutzman, Tapestry Chamber Singers | A Minor | 2 | 8A | 95 BPM | ||
| Psalm 38 "Put Me Not to Rebuke, O Lord in Thy Anger" | Jonathan Battishill, York Minster Choir, John Scott Whiteley, Philip Moore | B♭ Minor | 1 | 3A | 136 BPM | ||
| Psalm 48: Great Is The Lord (Turle) | St. Thomas Choir Of Men And Boys, Gerre Hancock | A♭ Major | 1 | 4B | 67 BPM | ||
| Holy Holy Holy Lord God Almighty | AJP Covers | A Major | 1 | 11B | 70 BPM | ||
| Wesley: Come, Sinners, to the Gospel Feast (Fulda) - 1. Come, Sinners, to the Gospel Feast | Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir | B♭ Major | 1 | 6B | 104 BPM | ||
| I Waited Patiently for the Lord (Psalm 40) | Thomas Attwood Walmisley, Gloriae Dei Cantores, Elizabeth C. Patterson | C Major | 1 | 8B | 122 BPM | ||
| 3 Six-Part Choirs, Op.39: II. Abendlied | Max Reger, The Rodolfus Choir, Ralph Allwood, Ben Parry | A Major | 1 | 11B | 70 BPM | ||
| Hallelujah Chorus (Christ On The Mount Of Olives) Op. 85 | Christelijk Mannenkoor Soli Deo Gloria Urk, Jaap Kramer | C Major | 2 | 8B | 80 BPM | ||
| The Call of Wisdom | Will Todd, The Choir Of St John's College, Oxford, Flora Sheldon, David Bannister | D Major | 0 | 10B | 121 BPM | ||
| Before Action | Hilgrove Kenrick, Ǣfendrēama, Chloe May Evans | F Minor | 2 | 4A | 67 BPM | ||
| Madrigali: No. 2, Quando son più lontan | Morten Lauridsen, Chamber Choir Of Europe, Nicol Matt | B Minor | 1 | 10A | 100 BPM | ||
| Father All-Holy | Basilica of the National Shrine of the Immaculate Conception Choir | A♭ Major | 2 | 4B | 88 BPM | ||
| Creator Spirit (Kyrie eleison) | Kim André Arnesen, Bielski Chór Kameralny, Daniel Strządała | F Major | 1 | 7B | 76 BPM | ||
| Passion Chorale "O Sacred Head, Now Wounded" (After H.L. Hassler) | Anonymous, The Choir of Llandaff Cathedral, Michael Hoeg, Richard Moorhouse | C Major | 1 | 8B | 71 BPM | ||
| No, my tongue, the mystery telling | Anonymous, St. Thomas Choir Of Men And Boys, Gerre Hancock | B Major | 0 | 1B | 85 BPM | ||
| We Adore You, O Christ | Richard T Proulx, The Compline Choir, Jason A. Anderson | G Major | 0 | 9B | 87 BPM | ||
| O the Deep Deep Love of Jesus ("Ebenezer") | Thomas J. Williams, Hereford Cathedral Choir, Robert Green, Roy Massey | G Minor | 2 | 6A | 137 BPM | ||
| Halleluja | Melchior Vulpius, Gunnar Mørch, Sandefjord Jentekor, Sverre Valen | C Major | 1 | 8B | 94 BPM | ||
| Gaudete! (feat. Belle Canto) | Cantilon Chamber Choir, Belle Canto | D Minor | 1 | 7A | 102 BPM |