"Mathis Der Maler, 5h Tableau, Scene 2: Du, Ursula!" by Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra had its release date on April 1, 1995. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Paul Hindemith, Rafael Kubelik's "Hindemith: Mathis der Maler" album is number 18 out of 61. Mathis Der Maler, 5h Tableau, Scene 2: Du, Ursula! is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Mathis Der Maler, 5h Tableau, Scene 2: Du, Ursula! by Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
| Symphony No. 1 in F Minor, Op. 10: III. Lento - Largo - Lento | Dmitri Shostakovich, Gianandrea Noseda, London Symphony Orchestra | E Major | 0 | 12B | 76 BPM | ||
| Sonata for Horn | Paul Hindemith, Joseph Anderer, David Korevaar | D♭ Minor | 0 | 12A | 65 BPM | ||
| Piano Trio in G Minor, Op. 15, JB 1:64: III. Finale. Presto | Bedřich Smetana, Smetana Trio | A Major | 0 | 11B | 88 BPM | ||
| String Quartet No. 1 in D Major, Op. 25: I. Andante Sostenuto - Allegro Vivo | Benjamin Britten, Barbican Quartet | E♭ Major | 0 | 5B | 106 BPM | ||
| Arcadiana: VI. O Albion | Thomas Adès, Calder Quartet | E♭ Major | 0 | 5B | 78 BPM | ||
| Taras Bulba: 3. The Prophecy And The Death Of Taras Bulba | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D♭ Major | 3 | 3B | 132 BPM | ||
| Herzlich tut mich verlangen, BWV 727 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Scaramouche pour 2 pianos: Vif | Darius Milhaud, Edouard Exerjean, Philippe Corre | E Minor | 1 | 9A | 183 BPM | ||
| Sinfonietta, JW VI/18: II. The Castle, Brno. Andante – Allegretto | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelík | A♭ Minor | 2 | 1A | 144 BPM | ||
| Serenade in D Minor, B. 77: I. Moderato, quasi marcia - Live | Antonín Dvořák, Stefan Schweigert, Dag Jensen, Sharon Kam, Diemut Schneider, Marie Luise Neunecker, Barbara Stegemann, François Leleux, Sybille Mahni | C Major | 0 | 8B | 90 BPM | ||
| Organ Concerto in G Minor, FP 93: IV. Tempo allegro. Molto agitato | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Minor | 0 | 3A | 133 BPM | ||
| Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
| Woodforde-Finden: 4 Indian Love Lyrics: No. 4, Till I Wake (Arr. Hough for Piano) | Amy Woodforde-Finden, Martin James Bartlett | E♭ Major | 0 | 5B | 106 BPM | ||
| Les biches Suite, FP 36b: IV. Andantino | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 0 | 8B | 105 BPM | ||
| Concertino for Viola and Chamber Orchestra: II. Andante Espressivo | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A♭ Minor | 1 | 1A | 80 BPM | ||
| Symphony No. 3: I. Langsom, breit, ruhig | Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu | C Minor | 1 | 5A | 82 BPM | ||
| March from Symphonic Metamorphosis (1974 recording) | US Marine Band, Jack T. Kline, Paul Hindemith | B♭ Major | 1 | 6B | 136 BPM | ||
| Phantasy Quintet: IV. Burlesca: Allegro moderato | Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet | A Major | 1 | 11B | 70 BPM | ||
| Verklärte Nacht, Op. 4 (Version for String Orchestra): IV. Adagio (Bar 229) | Arnold Schoenberg, Danish National Symphony Orchestra, Fabio Luisi | D Major | 2 | 10B | 79 BPM | ||
| Schubert / Arr. Kreisler: Ballet Music (From Rosamunde, Op. 26, D. 797) | Franz Schubert, Vilde Frang | G Major | 1 | 9B | 86 BPM | ||
| Ives: Set No. 6 for Chamber Orchestra "From the Side Hill": I. Mists | Charles Ives, Ensemble Modern, Ingo Metzmacher | E♭ Major | 1 | 5B | 131 BPM | ||
| Serenade in C Major, Op. 10: Romanza: Adagio non troppo, quasi andante | Ernst von Dohnányi, Spectrum Concerts Berlin | F Major | 1 | 7B | 64 BPM | ||
| Shostakovich: String Quartet No. 10 in A-Flat Major, Op. 118: III. Adagio | Dmitri Shostakovich, Brodsky Quartet | A Major | 1 | 11B | 78 BPM | ||
| Debussy: 6 Épigraphes antiques, CD 139, L. 131: No. 1, Pour invoquer Pan, dieu du vent d'été (Arr. Paillard for String Orchestra) | Claude Debussy, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | D Minor | 2 | 7A | 178 BPM |