M. S. Rama Rao's ' "Hara Hara Purahara Sambho" was released on its scheduled release date, December 31, 1958. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "Raja Nandini". In this album, this song's track order is #2. Furthermore, we believe that the track originated from India. Based on our statistics, Hara Hara Purahara Sambho's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Hara Hara Purahara Sambho by M. S. Rama Rao having a BPM of 155 with a half-time of 78 BPM and a double-time of 310 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Yedukondala Swamy | Pradeep, Pondhuri, Sivaprasad | C Minor | 4 | 5A | 122 BPM | ||
| Paluke Bangaramayena | Parupalli Sri Ranganath | D Minor | 5 | 7A | 117 BPM | ||
| Sri Subramanya Swami Karavalambam | Randhnini Roshini | D Major | 3 | 10B | 180 BPM | ||
| Brahma Kadigina | G. Balakrishna Prasad | D Major | 7 | 10B | 128 BPM | ||
| Dharma Jyothi (Mangala Slokam) | Hemant Kumar | G Major | 3 | 9B | 119 BPM | ||
| Hara Hara Shankara | M. S. Rama Rao | D♭ Major | 8 | 3B | 105 BPM | ||
| Shivaratri Song 2022 | Mangli | G Major | 4 | 9B | 148 BPM | ||
| Bilvaastakam | Mano, Kasinath Sarma, N.S. Prakash Rao, Lalitha Saagari & Srinivas (Jeans) | D♭ Minor | 4 | 12A | 107 BPM | ||
| Sri Anjaneya Ashtothara Shatanaama Stotram | Puttur Narasimha Nayak | E Minor | 7 | 9A | 90 BPM | ||
| Sadhinchene | Tyagaraja | B Major | 9 | 1B | 170 BPM | ||
| Shabiri Girisa Ayyappa | Partha Saradhi | F Minor | 5 | 4A | 102 BPM | ||
| Rudra Gayatri 11 Times | T. S. Ranganathan | B♭ Minor | 1 | 3A | 173 BPM | ||
| Telugu Hanuman Chalisa Part - I | M. S. Rama Rao | C Major | 2 | 8B | 75 BPM | ||
| Lakshmi Ashtothram | M. S. Subbulakshmi | G Major | 2 | 9B | 86 BPM | ||
| Bhadra Shaila | Hariharan | B♭ Major | 6 | 6B | 106 BPM | ||
| Margazhi Thingal | V2S2, RAGAMALIKATV | A♭ Major | 2 | 4B | 89 BPM | ||
| Shiva Shankari Shivananda | Ghantasala, Chi. Sadashivaiah | F♯ Major | 7 | 2B | 101 BPM | ||
| Medha Suktam | T.Sivaprasad, R.V. Sathyanarayanamurthy | B♭ Minor | 6 | 3A | 93 BPM | ||
| Mahalakshmi Raave | Sindhu | F Major | 4 | 7B | 143 BPM | ||
| Garuda Gamana | Priya Sisters | F♯ Major | 4 | 2B | 149 BPM | ||
| Rama Chandraya Janaka | Shanta Dhananjayan | B Major | 9 | 1B | 158 BPM | ||
| Seetharama Kalyanam (Padyam), Pt. 1 | Ghantasala, M. S. Rama Rao | A♭ Major | 4 | 4B | 71 BPM | ||
| Deva Deva | Parupalli Ranganath | D Minor | 5 | 7A | 134 BPM | ||
| Kanakadharastavam | M. S. Subbulakshmi, Radha Viswanathan | D Major | 4 | 10B | 113 BPM | ||
| Shree Seetha Ramula Kalyanam | Ramakrishna, B.Ramana, Sindhu | E Minor | 7 | 9A | 166 BPM |