Angela Davis's 'Who Pays, Who Plays' had a release date set for 1999. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Who Pays, Who Plays's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "The Prison Industrial Complex". In this album, this song's track order is #15. In terms of popularity, Who Pays, Who Plays is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With Who Pays, Who Plays by Angela Davis having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| White Liberals | Malcolm X | B♭ Major | 3 | 6B | 52 BPM | ||
| To the Men Catcalling My Girlfriend as I'm Walking Beside Her | Andrea Gibson, Button Poetry | D Major | 5 | 10B | 90 BPM | ||
| The Birth of a New Nation (April 7, 1957), Pt. 1 | Martin Luther King, Jr. | F Minor | 5 | 4A | 168 BPM | ||
| Behind the Smile | Richa | C Major | 0 | 8B | 104 BPM | ||
| Bowery Blues (with Steve Allen) | Jack Kerouac | F Minor | 2 | 4A | 84 BPM | ||
| The Gettysburg Address | Orson Welles | B Major | 2 | 1B | 101 BPM | ||
| i am | aja monet | D Major | 5 | 10B | 107 BPM | ||
| Ego Implies You are Not Aware of It | Eckhart Tolle | B♭ Minor | 4 | 3A | 68 BPM | ||
| Abraham (with Steve Allen) | Jack Kerouac | D♭ Major | 1 | 3B | 61 BPM | ||
| Another Vietnam | Fictionals, Angela Davis | B Major | 1 | 1B | 96 BPM | ||
| Engorged Insects | Angela Davis | D Minor | 3 | 7A | 73 BPM | ||
| No Space Here at All | Children's Bedtime Stories | D♭ Major | 3 | 3B | 134 BPM | ||
| Delightful Insects | Angela Davis | D Minor | 3 | 7A | 73 BPM | ||
| Structural Racism and Prison | Angela Davis | A Minor | 2 | 8A | 98 BPM | ||
| WIPPIN | kasebl | F Major | 5 | 7B | 73 BPM | ||
| Gaps in the Doing | Eckhart Tolle | A Major | 2 | 11B | 103 BPM | ||
| Been on Fire | Lizzo Wonder | D Major | 1 | 10B | 144 BPM | ||
| Black & Native Unity | Indigenous Resistance, Angela Davis | A Major | 7 | 11B | 168 BPM | ||
| January 31st | Matthew Rix | F Minor | 3 | 4A | 84 BPM | ||
| Leaving Early | Sylvia Plath | F Minor | 0 | 4A | 130 BPM | ||
| Why You Should Not Force Anything | The Red Pill, Alan Watts | C Major | 3 | 8B | 113 BPM | ||
| January 16th | Matthew Rix | G Minor | 3 | 6A | 122 BPM | ||
| GENTLE SNOW | Airsaint | G Major | 4 | 9B | 78 BPM | ||
| True Suburban Horror Stories, Pt. 5 | Mr. Nightmare | D Major | 4 | 10B | 124 BPM | ||
| Making A Difference | Angela Davis | A Major | 5 | 11B | 92 BPM |