"Recercar decimo" by Adrien Williaert, Ensemble Il Ballo, Leonardo Loredo de Sá had its release date on October 28, 2022. The duration of This song is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Recercar decimo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Cipriano de Rore, Ensemble Il Ballo, Leonardo Loredo de Sá, Véronique Bourin's "Il divino Cipriano de Rore" album is number 7 out of 24. On top of that, France appears to be the country where this track was created. In terms of popularity, Recercar decimo is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Recercar decimo by Adrien Williaert, Ensemble Il Ballo, Leonardo Loredo de Sá to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vespro della Beata Vergine, SV 206: XIIIh. Magnificat "Esurientes implevit bonis" | Claudio Monteverdi, Philippe Herreweghe, Dorothee Mields, Barbora Kabátková, Collegium Vocale Gent | G Major | 1 | 9B | 115 BPM | ||
| Cavalli: Il Giasone: Sinfonia | Francesco Cavalli, Christina Pluhar, L'Arpeggiata | C Major | 2 | 8B | 98 BPM | ||
| Fantasias and In Nomines: Fantazia IX in 4 parts, Z. 740 | Henry Purcell, Fretwork | D♭ Minor | 1 | 12A | 104 BPM | ||
| Byrd: Christe redemptor a 4 | William Byrd, Fretwork | B♭ Major | 0 | 6B | 95 BPM | ||
| Libera Nos, Salva Nos à 5 | Thomas Tallis, Fretwork | C Minor | 0 | 5A | 131 BPM | ||
| Couperin, L: Fantaisie pour les Violes par Mr. Couperin | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Mathias Ferré, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | C Minor | 2 | 5A | 138 BPM | ||
| Canzona seconda a 2 canto e basso | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | C Major | 1 | 8B | 144 BPM | ||
| Libro de Música de Vihuela de Mano "El Maestro": Pavana No. 1 | Luis de Milán, José Antonio Escobar | B Major | 0 | 1B | 97 BPM | ||
| Qué mayor desventura | Antonio de Contreras, Música Temprana, Adrian Rodriguez van der Spoel | A Minor | 0 | 8A | 118 BPM | ||
| Suite in A Minor: V. Courante | Françoise Dufaut, Lutz Kirchhof | A♭ Minor | 1 | 1A | 138 BPM | ||
| Tres diferencias de Guárdame las vacas por otra parte, Book VI | Luis de Narváez, Xavier Diaz-Latorre | C Minor | 1 | 5A | 73 BPM | ||
| Sonate concertate in stil moderno, Book 1: No. 6, Sonata à 2 | Dario Castello, Ecco la musica | D♭ Major | 1 | 3B | 114 BPM | ||
| Ground in A Minor | Christopher Simpson, Mika Suihkonen, Ballo della Battalia | A Major | 1 | 11B | 113 BPM | ||
| Lachrimæ Veræ | John Dowland, Les Voix Humaines, Nigel North | G Minor | 1 | 6A | 90 BPM | ||
| Suite in D Minor: V. Les derniers paroles | Ennemond Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
| Manuscrit Vaudry de Saizenay: Chaconne | Nicolas Hotman, Les Kapsber'girls | B Major | 0 | 1B | 130 BPM | ||
| Quatrième suite in A Minor: No. 9, Rondeau louré | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Minor | 1 | 1A | 93 BPM | ||
| In Nomine, "Fantasia": Fantasia | William Mundy, The Rose Consort Of Viols | B Major | 0 | 1B | 115 BPM | ||
| Violin Sonata No. 1 in D Minor: I. Adagio | Élisabeth Jacquet de La Guerre, David Plantier, Daniela Dolci | D♭ Minor | 1 | 12A | 125 BPM | ||
| Pièces de viole, Book 2, Suite in E Minor: No. 96, Prélude | Marin Marais, La Rêveuse, Florence Bolton, Emily Audouin, Carsten Lohff, Benjamin Perrot | E♭ Minor | 0 | 2A | 137 BPM | ||
| Memor esto verbi tui, LV 832 | Orlande de Lassus, Magnificat, Philip Cave | E Major | 1 | 12B | 77 BPM | ||
| Afflicti pro peccatis nostris a 6, T. 51 (Cantiones Sacrae, 1591): I. Afflicti pro peccatis nostris | William Byrd, Owain Park, The Gesualdo Six | B Major | 1 | 1B | 146 BPM | ||
| Aloe, P. 68 | John Dowland, Nigel North | A Minor | 1 | 8A | 107 BPM | ||
| Couperin, L: Fantaisie | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Mathias Ferré, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | E♭ Major | 2 | 5B | 85 BPM | ||
| Première suite à 3 violes in D Major: No. 4, Sarabande | Marin Marais, François Joubert-Caillet, L'Achéron | F♯ Minor | 4 | 11A | 88 BPM |