Rajasree Mukherjee and Shromona Mukherjee's 'Darshan Do Ghanshyam' had a release date set for August 23, 2005. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vandana by Rajasree Mukherjee and Shromona Mukherjee. The song's track number on the album is #6 out of 8 tracks. Based on our data, United States was the country where this track was produced or recorded. Darshan Do Ghanshyam is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
Since Darshan Do Ghanshyam by Rajasree Mukherjee and Shromona Mukherjee has a tempo of 61 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Darshan Do Ghanshyam being at 61 BPM, the half-time would be 30 BPM with a double-time of 122 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| JAI JAI AARTI NITYANAND RAYA | Group Chant | D♭ Minor | 9 | 12A | 105 BPM | ||
| Gajavadana Gananatha Gajavadana Vinayaka | Sri Sathya Sai International Organization | D♭ Minor | 9 | 12A | 100 BPM | ||
| Sohini | Baps Swaminarayan Sanstha | B Minor | 5 | 10A | 85 BPM | ||
| Mangal Mandir Kholo | Dipali Bhatt, Manoj Dave, Ninad Maheta, Foram Maheta | A Major | 4 | 11B | 140 BPM | ||
| Shreenathji Shree Yamunajini Jodi | Pamela Jain, Parthiv Gohil | D♭ Minor | 4 | 12A | 80 BPM | ||
| Swaminarayan Narayan | Harikrishna Patel | D♭ Major | 8 | 3B | 103 BPM | ||
| Bahuchar Maa Ni Arti | Atul Purohit, Himali Vora, Iqbal Meer | A♭ Major | 6 | 4B | 137 BPM | ||
| Hu Tari Bolavu Jai | Bhavik Haria | D♭ Major | 4 | 3B | 95 BPM | ||
| Jaya Jaya Jagannath | Sachi kumar Das | D♭ Major | 6 | 3B | 90 BPM | ||
| Tarak Mantra | Bharat Balvalli | C Minor | 7 | 5A | 95 BPM | ||
| Ma Bap Ne Bhulso Nahi | Sachin Limaye, Ashita Limaye | C Major | 2 | 8B | 60 BPM | ||
| Santoshi Mata Mantra | Bipin Parmar | E♭ Major | 5 | 5B | 130 BPM | ||
| Hanuman Chalisa in Raag Jaunpuri | Sudeepto Chakraborty | A Minor | 4 | 8A | 121 BPM | ||
| Bal Kand Manglacharan | Pujya Bhaishree Rameshbhai Ojha | F Minor | 3 | 4A | 84 BPM | ||
| He Ram Japdai Timro | Bala Bhattarai | F Major | 5 | 7B | 81 BPM | ||
| Bhagavad Gita Adhyay, Pt. 4 | Shrirang Bhave | E♭ Major | 1 | 5B | 78 BPM | ||
| Tumi Nirmal Koro | Antara Chowdhury, Various Child | B♭ Major | 4 | 6B | 90 BPM | ||
| Premal Jyoti Taro | Dipali Bhatt, Manoj Dave, Ninad Maheta, Foram Maheta | D♭ Major | 3 | 3B | 130 BPM | ||
| Tum Hi Mere Devta Ho | Morari Bapu | B♭ Major | 7 | 6B | 108 BPM | ||
| Bala Ji Pyare | Bhai Sunil Rawat | G Major | 4 | 9B | 136 BPM | ||
| Barah Bhavna | Gaurav Jain, Deepshikha Jain | A Minor | 5 | 8A | 79 BPM | ||
| Shree Nathji Bolo | Manoj Dave, Deepal Gajjar, Maitreyee Vyas | E♭ Major | 5 | 5B | 78 BPM | ||
| Shiva Shadakshara Stotram | Naynesh Jani | F Minor | 7 | 4A | 135 BPM | ||
| Manglacharan | Sadhu Yogicharandas | A♭ Major | 3 | 4B | 76 BPM | ||
| Shirdi Ke Sai Parthi Ke Baba | Sri Sathya Sai Bhajans | F Major | 2 | 7B | 90 BPM |