Messiah, HWV 56: Worthy Is the Lamb That Was Slain - Amen by George Frideric Handel, Eugene Ormandy Song Details

"Messiah, HWV 56: Worthy Is the Lamb That Was Slain - Amen" by George Frideric Handel, Eugene Ormandy had its release date on 1959. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in George Frideric Handel, Mormon Tabernacle Choir, Philadelphia Orchestra, Eugene Ormandy, Richard P. Condie's "Handel: Messiah, HWV 56" album is number 15 out of 32. On top of that, United States appears to be the country where this track was created. Messiah, HWV 56: Worthy Is the Lamb That Was Slain - Amen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Messiah, HWV 56: Worthy Is the Lamb That Was Slain - Amen by George Frideric Handel, Eugene Ormandy to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 8%
Loudness: -22.547 dB
Acousticness: 98%
Danceability: 26%
Energy: 12%
Instrumentalness: 2%
Liveness: 12%
Loudness: 62%
Speechiness: 6%
Valence: 4%

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