仲宗根美樹's 'ちんぬくじゅうしい' had a release date set for September 20, 1971. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. ちんぬくじゅうしい's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 沖縄は帰って来た, so we believe that "ちんぬくじゅうしい" is a single. ちんぬくじゅうしい is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of ちんぬくじゅうしい by 仲宗根美樹 is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 有難や節 | Hiroshi Moriya | B Minor | 1 | 10A | 86 BPM | ||
| 二人の大阪 | Yuko Nagisa | D Major | 2 | 10B | 90 BPM | ||
| 沓掛時次郎 | Yukio Hashi | D♭ Major | 3 | 3B | 173 BPM | ||
| ケ・セラ・セラ | Peggy Hayama | B♭ Minor | 2 | 3A | 147 BPM | ||
| 白い色は恋人の色 | きたやまおさむ, Kazuhiko Kato, 坂崎幸之助 | D Major | 4 | 10B | 110 BPM | ||
| 勇気あるもの | Sayuri Yoshinaga, トニーズ | A Minor | 4 | 8A | 114 BPM | ||
| 天使になれない | Akiko Wada | A Minor | 5 | 8A | 147 BPM | ||
| 奄美恋しや | 仲宗根美樹 | G Minor | 3 | 6A | 113 BPM | ||
| 想い出のワルツ | Izumi Yukimura | A♭ Major | 1 | 4B | 100 BPM | ||
| 銀色の道 | The Peanuts | F Minor | 3 | 4A | 127 BPM | ||
| 前橋ブルース | サザンクロス | C Minor | 4 | 5A | 96 BPM | ||
| 国境の町 | 東海林太郎 | B♭ Minor | 9 | 3A | 152 BPM | ||
| 誰もいない海 | Toi et Moi | E♭ Major | 3 | 5B | 94 BPM | ||
| あがろうざ節 | 仲宗根美樹 | G Minor | 3 | 6A | 80 BPM | ||
| 黄色いさくらんぼ | スリー・キャッツ | B♭ Major | 4 | 6B | 128 BPM | ||
| 俺の明日はどこにある | 渡 哲也 | A Minor | 3 | 8A | 109 BPM | ||
| スタンドスティル | Kei Ogura, Katsu Hoshi | A Minor | 3 | 8A | 74 BPM | ||
| 八月の濡れた砂 | Seri Ishikawa | C Minor | 2 | 5A | 96 BPM | ||
| この手のひらに愛を | ザ・サベージ | G Major | 2 | 9B | 182 BPM | ||
| ゴンドラの唄 | 田端義夫 | C Major | 2 | 8B | 93 BPM | ||
| 冬の駅 | 小柳ルミ子 | D Minor | 5 | 7A | 132 BPM | ||
| 君がすべてさ | Masao Sen | A Minor | 3 | 8A | 146 BPM | ||
| 二人は若い | ディック・ミネ, 星 玲子 | B Minor | 7 | 10A | 90 BPM | ||
| サン・トワ・マミー | Fubuki Koshiji | D♭ Major | 2 | 3B | 106 BPM | ||
| 喧嘩のあとでくちづけを | Ayumi Ishida | C Minor | 3 | 5A | 104 BPM |