Hollywood Trailer Music Orchestra's 'Final Confrontation' had a release date set for November 28, 2012. With This song being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 21 in Apocalypse, Vol. 2 by Hollywood Trailer Music Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Final Confrontation is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Final Confrontation by Hollywood Trailer Music Orchestra is Presto (very, very fast), since this song has a tempo of 196 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Seven Year Itch: The Girl Upstairs - From "The Seven Year Itch" | Alfred Newman, Marilyn Monroe | G Major | 1 | 9B | 68 BPM | ||
| Sneak Up | Gerhard Trede, THE GERHARD TREDE FILM ORCHESTRA | C Minor | 6 | 5A | 86 BPM | ||
| Back Alley Blues | Hollywood Trailer Music Orchestra | D Major | 5 | 10B | 116 BPM | ||
| Broadway Brouhaha | Hollywood Trailer Music Orchestra | B♭ Major | 6 | 6B | 148 BPM | ||
| Danger Musicians at Work | Syd Dale | G Minor | 9 | 6A | 96 BPM | ||
| Nearing the End | David Carbonara | C Minor | 4 | 5A | 75 BPM | ||
| Blanche | Ray Heindorf | F Minor | 1 | 4A | 176 BPM | ||
| Attesa jazz | Roberto Pregadio | E♭ Major | 2 | 5B | 93 BPM | ||
| Industrial Environment | Tony Kinsey | C Minor | 1 | 5A | 98 BPM | ||
| Asphalt Groovin' | Rolfe Kent | A♭ Major | 4 | 4B | 80 BPM | ||
| Mr. Hollywood | Hollywood Trailer Music Orchestra | F Major | 5 | 7B | 144 BPM | ||
| Cool Vibes | Kevin MacLeod | G Minor | 0 | 6A | 83 BPM | ||
| Mile's Theme | Rolfe Kent | E Minor | 4 | 9A | 121 BPM | ||
| Alone With Love | Keep Calm | B Minor | 3 | 10A | 83 BPM | ||
| Une Cellier | The Dale Cooper Quartet | D Major | 1 | 10B | 59 BPM | ||
| Night Stalker | André Charlier, Daniel Diaz | E Major | 5 | 12B | 178 BPM | ||
| Victorious | Hollywood Trailer Music Orchestra | F Major | 3 | 7B | 79 BPM | ||
| The Road To Berlin | Michael Giacchino, EA Games Soundtrack | C Major | 2 | 8B | 65 BPM | ||
| A Caper Story | Martin Landström | G Minor | 6 | 6A | 67 BPM | ||
| Cool Ballad | Eddie Waltman | F Major | 0 | 7B | 75 BPM | ||
| Redemption, Pt. 3 | Andrew Hale, Simon Hale | C Minor | 1 | 5A | 71 BPM | ||
| He'd Have to Get Under - Get Out and Get Under | Maurice Abrahams, Anthony Godwin, Palm Court Theatre Orchestra | E♭ Major | 5 | 5B | 136 BPM | ||
| Jazz Fast | Gerhard Trede, THE GERHARD TREDE FILM ORCHESTRA | C Major | 4 | 8B | 128 BPM | ||
| Billabong | Bob Barnard and Friends | D Minor | 1 | 7A | 65 BPM | ||
| Medley (Shine / It Had To Be You) | The Warner Bros. Studio Orchestra | F Minor | 4 | 4A | 76 BPM |