Ryan Adams's ' "Never Run" was released on its scheduled release date, January 1, 2024. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Never Run's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Sword & Stone". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, Never Run's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Never Run by Ryan Adams having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fender On The Freeway | DIIV | D Major | 6 | 10B | 123 BPM | ||
| 2054 | The Church | G Major | 7 | 9B | 158 BPM | ||
| My Old Friends | Hiss Golden Messenger | C Major | 2 | 8B | 77 BPM | ||
| Tired Of Being Alone | Teenage Fanclub | E Minor | 7 | 9A | 117 BPM | ||
| I Can See the Light | Ryan Adams | A Minor | 8 | 8A | 130 BPM | ||
| Bridget St. John | Hamish Hawk | B♭ Minor | 5 | 3A | 100 BPM | ||
| Sunbathers | Strand of Oaks | C Major | 9 | 8B | 98 BPM | ||
| Short Life | Glen Hansard | F♯ Minor | 5 | 11A | 100 BPM | ||
| Rivers of Blood | Crime & the City Solution | C Major | 4 | 8B | 110 BPM | ||
| Avenues | Whiskeytown | D Major | 2 | 10B | 72 BPM | ||
| Revelator | Phosphorescent | B Major | 6 | 1B | 145 BPM | ||
| Awoken | The Future Us | D♭ Major | 5 | 3B | 118 BPM | ||
| Country Cathedral Drive | Harp | E♭ Major | 5 | 5B | 97 BPM | ||
| Shining Spires | Harp | F Major | 5 | 7B | 97 BPM | ||
| I'm Here With The Sunset | Providers Of Trivial Comfort | C Minor | 8 | 5A | 120 BPM | ||
| What Would You Call Yourself - Edit | Fink | A Major | 7 | 11B | 95 BPM | ||
| Broken Doorbell | Loma | G Minor | 3 | 6A | 62 BPM | ||
| End Is Gettin Shaky | J Mascis | G Major | 7 | 9B | 110 BPM | ||
| The Way You Are | The Coral | E Minor | 7 | 9A | 120 BPM | ||
| Record Store | Matthew And The Atlas | D♭ Major | 3 | 3B | 118 BPM | ||
| Wages of Sin | Kurt Vile | C Major | 4 | 8B | 144 BPM | ||
| Blue Country Mystic | Hiss Golden Messenger | B Minor | 5 | 10A | 87 BPM | ||
| Half Light of Morning | Ten Fé | G Minor | 2 | 6A | 100 BPM | ||
| Learning To Dance | The Slow Show | D Major | 4 | 10B | 87 BPM | ||
| Be Wrong | Ryan Adams | C Minor | 6 | 5A | 114 BPM |